Brass

with Piano

…and sundry movements of the heart… for Tuba and Piano. The four movements of this work explore very diverse (“sundry”) musical territories: abstract and serious, songlike, humorous, pensive and transcendent. Many of the musical ideas were generated in spontaneous improvising sessions or by singing–hence, “movements of the heart.”

“Prelude” is anchored in its structure by a bold, serious gesture that is heard at the beginning, middle, and end of the movement, developed differently each time. The two intervening episodes are contrasting in tempo, and materials: the first is more abstract, the second a strong, focused melody.

“Song,” the second movement, is a warmly lyrical tune in a straightforward setting.

The third movement, “Vaudeville,” is light-hearted and witty.

“Standing Stones” is titled after numerous sites in the British Isles where ancient people erected huge stones in circles, singly, or even lining broad avenues. The incredible effort required to do so is mind-boggling, given the tools available to the people. And that they were able to make near-perfect circles, with stones aligned by the positions of sun and moon and seasons is further evidence of their intelligence and dedication to ideas and deep feelings far beyond the daily tasks of survival. The music begins very quietly, in deep tones, enigmatic harmonies, and introspective melodies. The music gradually takes on a brighter sound until it reaches an ecstatic climax.

I. Dance Mix

II. Dark Morning

III. Each Day I Love To Play My Tuba

IV. In The Forest

V. Pirate Song

VI. Read Your Music Carefully

VII. Running Music

VIII. Tubas On Parade

IX. Tuning Duet

X. Your Salmon Fell In The Pickle Juice Learn More

This collection of quartets is designed for players who may have had limited experience with small ensemble performance. The ranges are moderate and the rhythms are not complex. Each of the selections offer ensemble and solo or featured passages for all players. Styles, tempos and meters vary from one piece to another. Of course, more advanced players can certainly play and enjoy this set, but the less experienced can have some success with pieces that allow them to concentrate on the musical and ensemble aspects, rather than being slowed by technical elements. These are also designed for the listener’s enjoyment. Enjoy the quartets! Learn More

This set of quartets is a continuation of a previous set entitled: Ten Easy Quartets for 2 Euphoniums and 2 Tubas (CM5195). As in the previous volume, the intention is to have selections which are varied in style, while avoiding extreme ranges and key signatures, as well as avoiding complex or difficult rhythms. As in the first group, these give an opportunity for those inexperienced with small ensemble playing to develop these skills and feel a sense of accomplishment. To further identify these quartets with the first set, the numbers of the individual pieces begin with eleven and continue. Players and audiences will enjoy these selections. Learn More

Originally for French Horn, these duets have been edited by Bryan Doughty and will work for advnaced High School players as well as those in College.