Solo euphonium

View as List Grid

Items 1-20 of 46

Page
per page
Set Descending Direction
  1. A Day in the City

    Composer: Buss, Howard J.
    Instrumentation: Solo Instruments: Bassoon, Euphonium, Trombone
    Genre: Contemporary

    These colorful unaccompanied musical scenes from the city are excellent study and recital pieces.The 7 short movements depict the composer's experiences during a visit to New York City. The movements are Another Sunrise, Off to a Busy Day, The Lost Key Episode, The Waitin' in Line Blues, Romantic Interlude, Sudden Storm, and Out on the Town. "Tonal, charming and imaginative! The low purchase price and the incisive approach of a skilled composer make this a piece worth seeking out.”- PMEA News

     

    For Bassoon, Trombone or Euphonium.

    Learn More

    From $14.00

    To $28.00

  2. Alien Loop de Loops

    Composer: Buss, Howard J.
    Instrumentation: Solo and Electronics Instruments: Electronics, Euphonium
    Genre: Contemporary
    ALIEN LOOP DE LOOPS for solo instrument and electronic recording by Howard J. Buss is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. The composer envisioned a performer outside in an open area during an air show by an alien craft. During the opening section he/she is playing unaccompanied, but then is joined by the recording which contains sounds generated by traditional instruments as well as an "alien" voice, the spacecraft, and various electronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops combined to form an imaginative and picturesque sonic tapestry. The publication includes the sheet music and a CD (attached to the inside of the back cover) that contains a performance track and the accompaniment track. Learn More
    $20.00
  3. Awwwww...

    Composer: Oxford, Josh Instruments: Electronics, Euphonium
    Genre: Contemporary

    with downloadable backing track

    Composer Josh Oxford says, “This piece is in the style of Kenny G. The title comes from Airika (Friedman)’s frequent usage of that word. One can add even more embellishments than the ones already written. The accompaniment was mixed by Colleen Harwood.”

    Learn More

    From $24.95

    To $49.90

  4. Concerto

    Composer: Lisjak, Vanja
    Instrumentation: Solo and Brass band Instruments: Euphonium, French Horn, Marimba, Snare Drum, Trombone, Trumpet, Tuba, Vibraphone
    Genre: Contemporary
    Written for Steven Mead in 2009, Concerto for Euphonium, Brass and Percussion is from the pen of Vanja Lisjak. Lisjak is Principal Trombone in the Croatian Radio Television Symphony Orchestra. This landmark piece is perfect for the euphonium, and will join the ranks of the other great euphonium concerti from Cosma, Linkola, Sparke and Ellerby. Now with brass choir accompaniment! Learn More

    From $120.00

    To $240.00

  5. Exit the Foundry

    Composer: Hase, Ben Instruments: Electronics, Euphonium
    Genre: Contemporary

    with downloadable elctronic back track

    Exit the Foundry was originally commissioned for euphonium by Matthew Turek, a University of Wisconsin-Eau Claire student completing a research project that explored the psychological experience of composition. Turek commissioned works from seven student composers, offering them very few guidelines save the inclusion of his instrument, euphonium. Hase’s contribution, Exit the Foundry, incorporates three contrasting sonic elements. The first element, recorded and sampled mechanical sounds, includes various metallic hits, blowtorches, saws, fans, and other industrial noises. The second element, synthetic electronic instruments, consists of synth pads, leads, arpeggios, and an electronic drum ket. The third element is a low/mid register acoustic instrument that offers a contrastingly natural tone and lyrical voice. Hase produced the accompaniment track for Exit the Foundry in a computer based digital audio workstation, and included a multiphonic passage in the live instrument line to offer an aural bridge between the smooth timbre of a live instrument and the sometimes rough and piercing wanderings of the synthetic and mechanical sounds. At the start of the piece, each element battles for its place in the foreground, but inevitably a compromise is reached and all three elements meld into one coherent musical voice.

    Learn More

    From $21.95

    To $43.90

  6. Four Caprices (11, 17, 20 and 24)

    Composer: Paganini, Niccolo Arranger: Werden, David
    Instrumentation: Solo Instruments: Euphonium
    unaccompanied Learn More

    As low as $18.00

  7. Get Your Funk On!

    Composer: Robertson, Gail
    Instrumentation: Duet Instruments: Euphonium
    Genre: Contemporary
    with Percussion audio track Learn More

    From $15.00

    To $30.00

  8. Hijazker Longa

    Composer: Traditional Arranger: Buttery, Gary
    Instrumentation: Solo Instruments: Euphonium
    unaccompanied Learn More

    As low as $13.00

  9. Little Suite No. 5 for Solo Serpent

    Composer: Cummings, Barton
    Instrumentation: Solo Instruments: Euphonium
    1. Reflections, 2. Gigue, 3. Song, 4. Galop: Serpent, unaccompanied Learn More

    As low as $14.00

  10. Looping Etudes

    Composer: Oxford, Josh Instruments: Electronics, Euphonium
    Genre: Contemporary

    with looping pedal

    These etudes were written to familiarize people with the choreography and nomenclature associated with a looping pedal. They were written with the Boss RC-30 in mind, but should be compatible on any similar device. On the RC-30, one can hold the tap tempo button simultaneously while inserting a quarter-inch cable to allow selection of which looping mode (RP or RD) the pedal is in.

    Learn More

    From $19.95

    To $39.90

  11. Mandelbrot's Dream

    Composer: McMillan, Benjamin
    Instrumentation: Solo and Electronics Instruments: Euphonium
    Genre: Contemporary

    Benoit Mandelbrot was a mathematician known for his ideas about "the art of roughness," or chaos in nature. He is more widely known today for his fractal images, which have gone on to inspire many amazing works of math-art. I've personally been drawn to fractal imagery for a number of years, and as I listened to this nameless piece during the writing process, my inner-eye kept being drawn back to shifting, flowing fractals. Mandelbrot’s Dream is written in three continuous sections:

    1. Catch You On The Flip Side

    2. And Goodbye

    3. Fractus Metallum

    The first section is a chilled-out stroll through an urban, fractal cityscape, displaying the euphonium’s agility. The second section uses elements of jazz and rock in a slightly cinematic style, inspired by the works of composer Marty O’Donnell. In the final section (translating from Latin to ‘Fractal Metal’) features rhythmic and melodic elements of metal. In keeping with the celebration of Mandelbrot's work in chaos, the piece climaxes into aural chaos, the bass trailing off like the final spiraling wisp of some kaleidoscopic dream…

    Commissioned By X Gail Robertson, Jesse Orth, Preston Light, Irving Ray, Anthony Achille, AJ Miller, James Green, Ian Lester, Pat Stuckemeyer, Micah Everett, Adam Frey, David Salomon Galan Jr., Erik Lundquist, Will Hess, Bo Atlas, Richard Concepcion, Bente Illevold, Jason Gilliam, Zach Eberle, Amanda Cardwell, Seth Fletcher, Chasse Duplantis, Fernando Zuniga, Phil Beatty, Aaron Tindall, Danny Helseth, Bryan Cole, Chris Buckley.

     

     

    Learn More

    From $22.00

    To $44.00

View as List Grid

Items 1-20 of 46

Page
per page
Set Descending Direction