Brass

"24 Chorales" for French Horn, can either be played by 4 players or the parts can be doubled, tripled, etc. Each part includes the full score so the players can see how their individual part fits in with the group ensemble. This set is great for warming up and practicing group ensemble techniques like tuning, beginning and ending notes together together, etc. Learn More

"24 Chorales" for Tuba Quartet (EETT), can either be played by 4 players or the parts can be doubled, tripled, etc. Each part includes the full score so the players can see how their individual part fits in with the group ensemble. This set is great for warming up and practicing group ensemble techniques like tuning, beginning and ending notes together together, etc. Learn More

EETT; The purpose of this book is to give performers the opportunity to create their own version of a tuba euphonium quartet and to perform music of various difficulty levels, styles, and genres with this new group. Arrangements in this book are based on musical ideas from around the world, including the United States, Russia, Ireland, and Spain. Multiple styles of music such as Blues, Swing, and Rock are included to help begin the concepts of improvisation. Different musical modes, key signatures, and meters are explored throughout the book, with careful consideration to the practical playing ranges of the instruments. I truly hope you enjoy this collection of works. Learn More

EETT; Quartet No. 1 is Andrew Berry’s first completed composition for Tuba/Euphonium quartet. While there is no real programmatic story behind the music, various themes are introduced and developed throughout the three movements to create a sensation of “conflict and resolution”. The first movement is mostly composed of dance-like figures that want to be in major harmonies, however often succumb to minor harmonies. The second movement presents new ideas of conflict and searches for resolutions. These resolutions are usually met with defeat and the performers are challenged with new but familiar ways to continue combating these conflicts. The final movement is a series of more dances that present conflict at its most extreme, however is abruptly resolved at the end of the piece as the quartet celebrates with joyous flourishes in the euphonium parts. Each of the four parts are demanding in their own way, and the quartet as a whole is best suited for an experienced undergraduate ensemble or a graduate/professional ensemble. Learn More

with Piano

I. Theme from Sonata in A Major (D. 959) - Franz Schubert

II. Homing - Teresa Del Riego

III. Allemande - Claude Gervaise

IV. Allemande (unaccompanied encore) - Claude Gervaise

V. Bist Du Bei Mir - Stoetzel-Bach

VI. If With All Your Hearts (from Elijah) – Mendelssohn

VII. Alleluia - W.A. Mozart

VIII. Alle Vögel ind Schon Da - German traditional

IX. Das Wandern Ist Des Müllers Lust - German traditional

X. The Kerry Dance - James Lymans Molloy

XI. The Last Rose of Summer (Eb - unaccompanied) - Thomas Moore

XII. The Last Rose of Summer (Bb - unaccompanied) - Thomas Moore

XIII. Robin Adair - Irish Folk Song

XIV. Hacia Belen va una Burra - Spanish Folk Song

XV. Aura Lea - George R. Poulton

XVI. Golden Slumbers Kiss Your Eyes - traditional British

XVII. Beautiful Dreamer - Stephen Foster

XVIII. Jenny June - Stephen Foster

XIX. Some Folks/Some Folks Polka - Stephen Foster

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A FOLK SONG; FREILACH ORA NO. 1; HALLELUYA; HANUKKAH MEDLEY; THE HAPPY SOUL; HAVA NAGILA; MY FATHER'S NIGUN (Song); ON SABBATH DAY; SAMMY'S FREILACH; SHERELLE; TISH NIGON (Table Song) Learn More

Seeking to diversify horn repertoire and inspired by her students amid a global pandemic, Margaret McGillivray set out to inject beauty and justice into the world in a small way. Her frustrations soon led to:

LIFT: Solos for Horn by Black Composers

With piano accompaniment for each piece, this project culminated in 18 new arrangements or compositions for horn:

1. Friendship Source of Joy –– Ignatius Sancho/Katy Ambrose

2A. Menuetto in C –– J. Bologne, Chevalier de Saint Georges/Althea Talbot-Howard

2B. Menuetto in E-flat –– J. Bologne, Chevalier de Saint Georges/Althea Talbot-Howard

3. The American Girl –– Francis Johnson/Katy Ambrose

4. Deep River –– African American Spiritual/Samuel Coleridge-Taylor/Althea Talbot-Howard

5. Adagio Cantabile from Cinnamon Grove Suite –– R. Nathaniel Dett/Margaret McGillivray

6. Sympathy –– Florence Price/Margaret McGillivray

7. Wake Me Up –– Jasmine Barnes

8. A Stolen Moment –– Joel Collier (ASCAP)

9. Old St. John –– Mary D. Watkins

10. Stranger from the Wind –– Benjamin Horne

11. On the Uses of Quills –– Melika M. Fitzhugh

12. Eulogy –– Stewart Goodyear

13. Pan-Tones –– Mattea Williams

14. When I’m Older –– Shanyse Strickland

15. The First Solo Flight –– David A. Eastmond

16. Tango No. 3 –– Dalian Bryan

17. Dahomey Passacaglia –– Althes Talbot-Howard

18. Pesadelos 1 (Nightmare 1) –– Jeff Scott

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2 Tubas and Piano

or

universal edition includes each part in:

C, B-flat, E-flat and F

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4 Tpts, 3 Hns, 3 Tbns, Euph and Tba Learn More