Search results for: 'Vocalise'
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- Vocalise-Etude
- Vocalise Rahmaninov for tuba and piano
- Vocalise for tuba and piano rahmaninov
- Vocalise for tuba and piano Rahmaninov
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Modern Repertory of Vocalise-Etudes (B-flat Treble Clef), The
Composer: Various Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Trumpet
Genre: ClassicalMany of the best teachers consider vocalises essential for teaching and learning a singing tone quality in addition to range, ornamentation, and most importantly, style. Each of these vocalises is by its nature – and title – an etude. Do not be turned off by the pedagogical nature. They are meant to be studied as well as performed. Much like the Chopin piano etudes, these pieces are full of great music, and were written with public performance in mind. Also of note is that all thirty of these vocalises are by French composers, so this is a wonderful resource with which to learn the French style of performance. I hope you enjoy these thirty vocalise-etudes as music as I have. They are a pure delight to learn and perform. Happy practicing!
– Dr. Robert Benton (Arranger/Editor)
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Modern Repertory of Vocalise-Etudes, The
Composer: Various Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classicalwith Piano
Arranger Robert Benton says this about Anton Webern’s “Two Pieces”:
Many of the best teachers consider vocalises essential for teaching and learning a singing tone quality in addition to range, ornamentation, and most importantly, style. Each of these vocalises is by its nature – and title – an etude. Do not be turned off by the pedagogical nature. They are meant to be studied as well as performed. Much like the Chopin piano etudes, these pieces are full of great music, and were written with public performance in mind. Also of note is that all thirty of these vocalises are by French composers, so this is a wonderful resource with which to learn the French style of performance. I hope you enjoy these thirty vocalise-etudes as music as I have. They are a pure delight to learn and perform. Happy practicing!
– Dr. Robert Benton (Arranger/Editor)
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To $69.90
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Modern Repertory of Vocalise-Etudes, The
Composer: Various Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Melody (Famous)with Piano
From the arranger:
Many of the best teachers consider vocalises essential for teaching and learning a singing tone quality in addition to range, ornamentation, and most importantly, style. Each of these vocalises is by its nature – and title – an etude. Do not be turned off by the pedagogical nature. They are meant to be studied as well as performed. Much like the Chopin piano etudes, these pieces are full of great music, and were written with public performance in mind. Also of note is that all thirty of these vocalises are by French composers, so this is a wonderful resource with which to learn the French style of performance. I hope you enjoy these thirty vocalise-etudes as music as I have. They are a pure delight to learn and perform. Happy practicing!
Learn MoreFrom $34.95
To $69.90
-
Vocalise-Etude
Composer: Ravel, Maurice Arranger: Frye, Joseph
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Romanticwith Piano; A perfect recital piece for aspiring High School or college student; En Forme De Habanera Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $17.00
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Vocalise
Composer: Rachmaninoff, Sergei Arranger: DeRaad, Joseph
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryArranged for Tuba Quartet (EETT) and originally for solo, this setting passes the melody around the group. It is a nice challenge to pass the lines around. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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Vocalise, Op. 34 No. 14
Composer: Rachmaninoff, Sergei Arranger: Lourens, Alan
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Romanticwith Piano: Edited by Dan Perantoni Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $15.00
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Vocalise
Composer: Rachmaninoff, Sergei Arranger: Lukowicz, Tom
Instrumentation: Quartet Instruments: Tuba
Genre: Classical4 tubas; This arrangement features Tuba 1 playing the solo. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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24 Vocalises
Composer: Bordogni, Marco Arranger: Aquilanti and Fossi
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Romanticwith Piano or downloadable backing tracks
Giulio Marco Bordogni (1789-1856), usually called Marco Bordogni, was an Italian operatic tenor and singing teacher of great popularity and success, whose mature career was based in Paris. Bordogni was born in Gazzaniga, near Bergamo, Italy. He was a product of the exceptional Bergamo tenor school which originated with Giacomo David and Gaetano Crivelli, and in which can also be counted, in addition to David’s two best pupils, his son Giovanni and Andrea Nozzari, the excellent Domenico Donzelli and Giovanni Battista Rubini. Bordogni made his operatic debut at La Scala, Milan in 1813 in Rossini’s Tancredi, and became very active in promoting that composer’s music. He appeared in many of Rossini’s operas in their premieres in various towns and theaters. In 1825 he created the role of Conte di Libenskof in Rossini’s Il viaggio a Reims. He sang for many years at the Theatrea des Italiens in Paris. He became a teacher at the Paris Conservatoire in 2810 and continued to teach there until shortly before his death in Paris. He was the author of a published singing method, and composed many sets of vocalizes which remained in use by singers for a century afterwards. They remain popular as transcriptions for many instrumentalists today. He was probably the single most influential teacher of the English tenor Sims Reeves, who came to study with him in 1843, Bordogni was awarded the Legion d’Honneur on May 10, 1839 by M. de Gasparin, at the same time that it was awarded to Director of the Opera Duponchel, and to composer Hector Berlioz, who wrote that Bordogni was the best singing-master of the time.
- Alessandro Fossi
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Bordogni Suite
Composer: Bordogni, Marco Arranger: Heading, Andrew
Instrumentation: Quartet Instruments: Trombone, Tuba
Genre: Classical3 Trombones and Tuba
6 movements
The vocalises of Marco Bordogni are a staple for trombonists and tubists world-wide, and this suite was borne from a desire to play them with my section in a format other than in octaves. To that end, I conceived the idea of arranging these exercises so that all the members of the section got the chance to play the melody as well as counter-melodies and harmonies. Similarly, the harmonies I have used are not really the ones that you might expect; rather, I have made them a little more interesting than the standard chords I and V. Thus, to perform this music well, the section must really work hard on sound, balance, intonation and rhythm – all of which will make your section sound awesome!
– Andrew Heading, arranger
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12 Vocalizzi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classicalwith Piano
Bel Canto is an elusive term to define. While it literally translates to beautiful voice, it was a style of singing that emphasized beauty of tone, flexibility, and ease of execution. The music written in this style was characterized by florid lines and an emphasis of musical line over text. The term bel canto was, interestingly enough, not used until the style had faded somewhat. Rossini, at a dinner party in 1858 said, “Alas for us, we have lost our bel canto.”
The 12 Vocalizzi in this volume have depth and stand on their own merit amongst the more serious works of Rossini. I recommend these as recital pieces without reservation. They are the equal to- albeit in a different style than- Rachmaninov’s famous Vocalise Op. 34 No. 14 and are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lessons, juries, and solo recitals. I hope you will enjoy working on these pieces as much as I have. They breathe fresh life into the somewhat stale world of bel-canto-for-brass repertoire.
- Dr. Robert Benton
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4 Solfeggi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano
From the editor:
The pieces in this volume came from a collection of 18 Gorgheggi, 4 Solfeggi and 12 Nuovi Vocalizzi by Gioachino Rossini (1702-1868). The Gorgheggi are scale patterns and exercises for learning, turns, ornaments and other embellishments. The 4 Solfeggi are training pieces that are much more musical than the Gorgheggi. They are melodic, have accompaniments, and are functionally wordless songs. I would put these in a similar category to several of the Kopprasch horn etudes; quite musical, but still primarily pedagogical in nature. While an effective performer can bring enough musicianship to these to make them viable exam jury or recital repertoire, they still have the feel of training pieces due to the limited ranges, simpler harmonic designs, repeated melodic figures, etc. The Vocalizzi (published separately by Potenza in versions for both euphonium and tuba) have much more depth than the Solfeggi, and stand on their own merit amongst the more serious works of Rossini. They are the equal to-albeit in a different style than- Rachmaninov’s famous Vocalise Op. 34 No. 14.
These Rossini etudes are another entry into the realm of performative-yet-pedagogical material. They are truly in the bel canto style, yet to my ear, have more depth than your average Bordogni etude. Each of these etudes requires-or develops-flexibility, beauty of sound, and the utmost lyricism possible for brass musicians.
These etudes are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lesson, juries, and solo recitals.
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12 Vocalizzi
Composer: Rossini, Gioacchino Arranger: Benton, Robert
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano
From the editor:
Bel Canto is an elusive term to define. While it literally translates to beautiful voice, it was a style of singing that emphasized beauty of tone, flexibility, and ease of execution. The music written in this style was characterized by florid lines and an emphasis of musical line over text. The term bel canto was, interestingly enough, not used until the style had faded somewhat. Rossini, at a dinner party in 1858 said, “Alas for us, we have lost our bel canto.”
The 12 Vocalizzi in this volume have depth and stand on their own merit amongst the more serious works of Rossini. I recommend these as recital pieces without reservation. They are the equal to-albeit in a different style than-Rachmaninov’s famous Vocalise Op. 34 No. 14 and are ideal for either unaccompanied or accompanied performance, with the included piano accompaniment making them especially suitable for lessons, juries, and solo recitals. I hope you will enjoy working on these pieces as much as I have. They breathe fresh life into the somewhat stale world of bel-canto-for-brass repertoire.
Learn MoreFrom $24.99
To $49.98