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ITEC Day 2 May 31, 2016
Instruments: Euphonium, Tuba
Genre: Classical, ContemporaryITEC Day 2 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM1347 Suite for Euphonium, and Tuba - Barbara York (Ken Kroesche and Michael Taylor)
Euph., Tuba and Piano
TEP10340 Tubamobile - Thom Ritter George (Southern MS)
Tuba Quartet
CM2369 Evolutions - Ben McMillan (Southern MS)
Tuba Ensemble
CM1651 Sizzl’ - Robert Denham (Aubrey Foard)
Tuba and Piano
EU405 St. James Infirmary - Primrose/Forbes (U of N IA)
Tuba Quartet
CM2736 Convent Window - Joanna Ross Hersey (Joanna Ross Hersey)
Unaccompanied Tuba
EU402 Funeral March of a Marionette - Gounod/Forbes (U of AL)
Tuba Quartet
TEP10878 Nocturno, Op. 7 - Strauss/Fischer (Jeremy McBride)
Tuba and Piano
CM2140 Tubaphonium Overture - Zach Collins (Murray State)
Tuba Ensemble
CM1477 Gravity Dances - Anthony Zilincik (Murray State)
Tuba Quartet
CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)
Tuba Ensemble
TEP10935 Declarations - David Uber (U of TN)
Tuba Ensemble
Learn MoreStarting at $10.00
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ITEC Day 3 June 1, 2016
Instruments: Euphonium, TubaITEC Day 3 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM2912 Prophecies - Barbara York (Mark Norman)
Tuba and Piano
CM2906 Snapshots - Barbara York (Mark Norman)
Tuba and Piano
CM2138 Every Day an Alleluia - Barbara York (Mark Norman and Joe Dollard)
Euph, Tuba and Piano
TEP10287 Tubas Latinas - Aldo Rafael Forte (U of MT)
Tuba Ensemble
CM2045 Tubas of the Apocalypse - Benjamin McMillan (U of MO at KC)
Tuba Quartet
TEP10598 Londonderry Air - Traditional/Mehlan (Baylor)
Tuba Quartet
CM1740 Color Code - Elizabeth Raum (Zach Collins)
French Horn, Tuba and Piano
CM2585 Big Sky - Frank Gulino (Zach Collins)
French Horn, Tuba and Piano
TEP11091 R.S.V.B. Hymn - Gail Robertson (R.S.V.B Quartet)
Tuba Quartet
CM1474 P.C. Tuba Quartet - Barbara York (R.S.V.B Quartet)
Tuba Quartet
Learn MoreStarting at $15.00
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ITEC Day 6 June 4, 2016
Instruments: Euphonium, TubaITEC Day 6 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
TEP10890 Andante Cantablie from Sym. 5 - Tchaikovsky/Forbes (SE LA U)
Tuba Ensemble
CM2045 Tubas of the Apocalypse - Benjamin McMillan (U of IA)
Tuba Quartet
CM2924 Till Eulenspiegel’s Merry Pranks - Strauss/Cross (N TX Tuba Ensemble)
Tuba Ensemble (EEEETTTTTT)
TEP10741 Sweet Dances - Elizabeth Ram (David Saltzman)
Unaccompanied Tuba
TEP10750 Pines of the Appian Way - Respighi/Forbes (LA State U)
Low Brass Ensemble
EU401 Just a Closer Walk - Traditional/Forbes (Charlotte Tuba Ensemble)
Tuba Quartet
TEP10432 Centipede - Troy Helm (All-Star Ensemble)
Tuba Ensemble
TEP10209 Beast! - Greg Danner (TN Tech U)
Tuba Ensemble
Learn MoreStarting at $15.00
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ITEC Day 4 June 2, 2016
Instruments: Euphonium, TubaITEC Day 4 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
TEP11089/11090 Hexagon - Anne McGinty (Mark Nelson and Matt Tropman)
6 Movements - Euph/Tuba Solo and Duet with Piano
TEP10034 Contrapunctus IX - Bach/Forbes (IN U of Purdue)
Tuba Quartet
TEP10788 Bacchanale from “Samson and Dalila” - Saint-Saens/Wilson (E Carolina U)
Tuba Quartet
TEP10733 A Little Monster Music - Elizabeth Raum (E Carolina U)
Tuba Ensemble
TEP11088 - Prelude in C# Minor - Rachmaninov/Renshaw (Ensemble Subsonique)
Tuba Ensemble
CM2594 White Keys - Zach Collins (Atlas)
Tuba Quartet
CM2860 Ascendance - Ben McMillan (Atlas)
Tuba Quartet
CM1775 Power Play - Frank Gulino (Atlas)
Tuba Quartet
TEP10438 Mars - Holst/Butler (Appalachian State U)
Tuba Ensemble
TEP10287 Tubas Latinas - Aldo Rafael Forte (Oakland U)
Tuba Ensemble and Percussion
CM1481 Night on Bald Mountain - Mussorgsky/Sutherland (Presidio Brass)
Brass Quintet
CM2925 Shenandoah - arr. Scott Sutherland (Presidio Brass)
Brass Quartet and Piano
Learn MoreStarting at $17.00
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Concerto for Tuba
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
This work was commissioned by Timothy Northcut in honor of Winston Morris, professor of tuba and euphonium at Tennessee Tech University since 1967. Among many others, his former students—both Tim and I included—call him a mentor, friend, and genuine hero to the tuba-euphonium world. Anyone who’s met Winston knows that he’s a larger-than-life character, and our goal was to capture a snapshot of that character within the piece.
The first movement, RWM, is constructed from a rhythmic motive that forms the basis of the entire work: 1/4 note followed by 4 1/8 notes
This motive, based on the name ‘R. Winston Morris’, becomes the driving force throughout the work, acting as a musical anchor point. The entrance of the solo tuba introduces the main musical theme that goes on to form much of the melodic material. Conceptually, the first movement represents a day in September of 1967 as Morris began his career at Tennessee Tech University. Beginning with a gentle, noble theme, the mood quickly builds and shifts into an energetic and sometimes whimsical whirlwind. The end of the movement relentlessly hammers out the motive—a tribute to Winston’s unrelenting musical drive. This abruptly shifts with the final note, moving seamlessly into the second movement.
The second movement, Sweet Steel, is dedicated in loving memory to Barbara “Bobbie” Morris. Although the tone is very dark and brooding, it’s ultimately a love song by the soloist, journeying through the stages of grief. From the darkness a second theme, hopeful and uplifting, rises to a heartfelt climax.
The final movement, Cookevegas, is a tongue-in-cheek reference to Cookeville, TN, home of Winston and Tennessee Tech University. His love of jazz is a major influence on this hectic, jazzy trip through the small Southern city. A return of the driving ‘RWM’ motive from the first movement brings the concerto to its finale.
Recording is from the premiere with the U.S. Army Band:
https://www.usarmyband.com/tuba/index.html
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Goldberg's Machine
Composer: McMillan, Benjamin
Instrumentation: Quartet Instruments: Euphonium, TubaFor Tuba Quartet (EETT) or four Euphonium
A somewhat whimsical and cartoonish piece, "Goldberg's Machine" is a very challenging piece for low brass quartet, with probably more constant meter changes than anything else I've written before. The title comes from the famed cartoon machines by artist Rube Goldberg. Constantly moving in new directions, complicated almost beyond comprehension, one wonders, 'But what does it do?' Written for North Texas Euphonium Quartet.
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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Fleeting Visions
Composer: McMillan, Benjamin
Instrumentation: Trio Instruments: Bass Trombone, French Horn, Tuba
Genre: ContemporaryHorn, Bass Trombone and Tuba; Continuing in the post-minimalist style I had previously explored with Evolutions, Fleeting Visions is a somewhat dreamy, tranquil work. Musical colors come in and out of focus as though the listener is daydreaming, conjuring up visions in the mind's eye that flow together and transition seamlessly. Written for the unusual combination of horn, bass trombone, and tuba, the piece works equally well with any combination of low brass instruments. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Rush Hour
Composer: McMillan, Benjamin
Instrumentation: Ensemble Instruments: Euphoniumfor 8 Euphoniums; My initial prompt for writing came from one of the "Harry Potter" films, a jazzier cue involving a double-decker bus. In particular, I borrowed (stole) a rhythm from near the beginning of that cue and constructed the rest of the piece around this. Being that I was—and still am—a poor student of jazz theory, much of the piece is based on a standard B-flat blues scale, along with some of the techniques and styles I had picked up playing bass trombone in a local swing-dance band.
One of the main strengths of writing for my own instrument was knowing exactly what it's capable of. The piece utilizes extended ranges, both in the upper and lower extremities, as well as the somewhat rare euphonium mute for car horn effects. People unfamiliar with the full capabilities of the euphonium are often surprised when they hear this one.
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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A Stroll Through the Mind Garden
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
“The mind is a fertile garden – it will grow anything you wish to plant –
beautiful flowers or weeds.” – Bruce Lee
A Stroll Through Mind Gardens depicts an imaginary journey inwards to the
realm of imagination, where thoughts bloom and float by like flower petals on the wind. Connected by variations on a dance-like ‘strolling’ rhythm, the listener is taken on a colorful and vibrant tour of a vast ‘aural mind garden.’
Written during the autumn of 2019, the work was commissioned by David Saltzman to be premiered at the Northeast Regional Tuba/Euphonium Conference (NERTEC) at Ithaca College. It’s intended to have stately-dance feel that acts as a
musical anchor point for the changing melodies and harmonies, although this rhythm itself also undergoes several variations throughout. The sectional structure of the piece and the transitions between them are written in a way that often flow in and out of one another, similar to a typical stream of thought.
The piece provides a moderate challenge for the performer, demanding an expressive, musical approach, and quick changes of style.
Learn MoreFrom $18.00
To $36.00
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Lurking at the Threshold
Composer: McMillan, Benjamin
Instrumentation: Solo Instruments: Tuba
Genre: ContemporaryLurking At The Threshold is an unaccompanied work for tuba that highlights some of the capabilities and characteristics of the instrument. In particular, the low range and agility of the tuba is explored. The title is a nod to the works of author H. P. Lovecraft, and thus the tone of the piece strives to embody some of the elements and scale of cosmic horror. Mixed into the strange lines are recurring themes and lyrical melodies, making the work a well-rounded showcase for the unaccompanied tuba.
Commissioned by Dr. Preston Light for the 2020 Southeast (SERTEC) and Midwest (MWRTEC) Regional Tuba Euphonium Conferences.
As with most unaccompanied works, exaggeration of dynamics, articulations, and other gestures is what makes them come to life. Think of these lines as collections of musical gestures rather than a single, connected melody, and play to the extremes of dynamics and articulation.
Time is free throughout to allow for greater freedom of expression. Where there are specific tempo markings, strict, mechanical time is not required. Breath marks are used to indicate lifts or slight pauses between phrases/gestures.
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To $30.00
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Tomes of Hardened Steel
Composer: McMillan, Benjamin
Instrumentation: Solo and Electronics Instruments: Electronics, Tuba
Genre: Contemporarywith downloadable backing track
A predecessor and companion piece to “Tomes of the Wanderer,” this was my first serious attempt to use a pre-recorded accompaniment with live solo. Initially I wasn’t intending to use create an orchestral sound, but the more I played around with the germs of ideas the more I found it leaning towards an epic fantasy film score. In three movements, Across the Plains, Fountain of Dusklight, and Juggernaut. Though the titles suggest a vague story, but I prefer to leave the specifics up to the listener.
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Tomes of the Wanderer
Composer: McMillan, Benjamin
Instrumentation: Solo and Electronics Instruments: Electronics, Tuba
Genre: Contemporarywith downloadable backing track
Benjamin McMillan says, “Tomes of the Wanderer was commissioned by tubist Patrick Curry in August of 2013, and was premiered at the University of Akron in March of 2014. It is an exciting sequel to Tomes of Hardened Steel, and expands on previously established thematic material while introducing entirely new themes. Evoking the sound and imagery of a fantasy film score, the piece is divided into three movements: I. Over the Mountains, II. The Old Forest and III. The Cursed Mire & Leviathan.”
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Nomadic Dances
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tubawith Piano; Harmonically, this was a gateway composition for me that expanded my horizons in terms of learning to work more with dissonance and finding what I like to hear. I can't tell you what mode or modes it's in—I frankly don't care. The harmonic language developed slowly and was guided by ear into its final form. The minor 2nd motion, initially between F and G-flat, and the tritone down to C served as the major reference points for the harmonic language.
The title is probably fairly self-explanatory. I haven't been a stranger to the use of multi-meter in my writing, but this one really takes the cake for the sheer amount of meter changes. Where I had used the term "kaleidoscopic" before to describe constantly-shifting meter, this time I went with nomadic—always on the move. This applies as much to the rhythm as it does the changing meters and key centers.
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Paracosms
Composer: McMillan, Benjamin
Instrumentation: Solo Instruments: EuphoniumFor unaccompanied euphonium and in four movements, “Paracosms” highlights the many abilities of the euphonium, from the lyrical and technical, to the generally under-explored low register. I chose the title, which refers to a detailed and consistent imaginary world explored over a period of time in one’s mind, to give each movement a somewhat programmatic context, with the exception of the first movement (which is a bit of a tongue-in-cheek jab). In doing so I hoped to create a work that would provide interest for the listener as well as the performer, where many unaccompanied pieces tend to stray into “weird” aural territories. The result is a challenging and diverse work. Learn MoreAs low as $15.00
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Furious Apis
Composer: McMillan, Benjamin
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryOriginally titled “War in the Hive”, Furious Apis depicts what I imagine as a conflict between bees (apis being Latin for bee) and hornets might be like. Though not strictly programmatic, it contains a number of themes that may represent various sides in the imaginary battle. It’s a somewhat challenging piece for a group to perform due to the constant flurrying lines bouncing around the parts. The piece was first performed in 2013 at the annual Spring Tubafest at TTU, and was recently recorded by the Eufonix Quartet on their third album.
– Ben McMillan
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Round Trip
Composer: McMillan, Benjamin
Instrumentation: Duet Instruments: Tuba
Genre: Contemporary5 Movements Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $14.00
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Valiant's Wake
Composer: McMillan, Benjamin
Instrumentation: Sextet Instruments: Euphonium, Tuba
Genre: ContemporaryEETTTT; Commissioned by Gail Yates for Winston Morris and the TTTE 55th Anniversary Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Downloadable - Wyvernfell
Composer: McMillan, Benjamin
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryEETT Learn More$19.95Out of stock -
Downloadable - First Flight
Composer: McMillan, Benjamin
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryEETT Learn More$19.95Out of stock -
Downloadable - Squareman's Jazz
Composer: McMillan, Benjamin
Instrumentation: Solo Instruments: Euphonium
Genre: Contemporaryunaccompanied Learn More$14.95Out of stock