Search results for: 'duet piano saxophone'
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- Duets for Horn and Tuba
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Night Duets
Composer: Ingram, Charles
Instrumentation: Duet Instruments: French Horn, Trombone
Genre: ContemporaryThis a great set of duets for the concert stage:
1. Invocation to the Moon
2. Hobgoblins
3. Nocturne
4. Critters
5. Dirge at Dusk
6. Wood Sprites
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Trombone Sonatina #2
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Contemporarywith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Sonatina for Euphonium
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano; 4 movement; commissioned by Cimarron Music Press
Commissioned by Cimarron Music Press
More pieces from Charles Ingram found here
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Trombone Sonatina
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Contemporarywith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Sonatina
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Trifles
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
Written for Dr. Richard Perry and like the title suggests, these are short movements There are a total of five movements.
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Three Moods
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
Written for Dr. Richard Perry, this piece is in three movemnts:
1. Easy Going
2. Pensive
3. Sassy
Use your own mood to bring this piece to life.
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Visions Fugitives
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano Learn MoreFrom $18.00
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From Darkness to Light
Composer: Ingram, Charles
Instrumentation: Octet Instruments: Bass Trombone, Trombone
Genre: Contemporary6 Trombones and 2 Bass Trombones; …weeping may endure for a night, but joy come in the morning. Ps. 5:30b Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Farewell to Summer
Composer: Ingram, Charles
Instrumentation: Sextet Instruments: Euphonium, Tuba
Genre: ContemporaryEEETTT; For the University of Southern Mississippi Tuba/Euphonium Ensemble
Why not pair "Farewell to Summer" with: Enter Autumn
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Enter Autumn
Composer: Ingram, Charles
Instrumentation: Quintet Instruments: Euphonium, Tuba
Genre: ContemporaryEEETT; For the University of Southern Mississippi Tuba/Euphonium Ensemble
Why not pair "Enter Autumn" with: Farewell to Summer
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Fanfares and Meditations
Composer: Ingram, Charles
Instrumentation: Trio Instruments: French Horn, Trombone, Tuba
Genre: ContemporaryFor the Blenheim Trio, Horn, Trombone and Tuba, this is perfect piece for any chamber recital. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Mini-Suite for Solo Tuba
Composer: Ingram, Charles
Instrumentation: Solo Instruments: Tuba
Genre: Contemporaryunaccompanied
I. Praeludium
II. Getting Around
III. Simple Song
IV. Off Waltz
V. Pompous March
VI. Faux Gigue
The Mini Suite for Solo Tuba was composed in 2015 for my good friend Dr. Richard Perry who is the Tuba/Euphonium professor at the University of Southern Mississippi. Dr. Perry was preparing a recital of unaccompanied music for tuba, and he asked me for a new piece.
The structure of the Mini Suite is very loosely based on the idea of the Baroque instrumental suite. While the Baroque suite is based on a series of dances, this one consists of six movements which are fleeting impressions found in the character pieces that are common in the Romantic period. The last movement is the only one that gives the nod to an actual dance found in the traditional Baroque suite.
The first movement, Praeludium, has no programmatic title and serves the purpose of opening the suite.
The second movement, Getting Around, gives the impression of someone who is far too busy to take time for himself until the last measure when he succumbs to exhaustion.
The third movement, Simple Song, is just that; a simple melody that is delivered without any undue fussiness.
The next movement, Off Waltz, is muted throughout and the steady rhythm that embodies the waltz is obscured on several occasions so that the beat is “off”.
The Pompous March hints at a self-important individual strutting his stuff around town and unintentionally making a comical spectacle of himself.
The final movement, Faux Gigue, goes back to the model of the Baroque suite which generally ended with a lively gigue in compound meter. I decided to write this one in three-quarter time as opposed to one of the compound meters. The term faux is a nod to the fact that this piece does not have the contrapuntal texture that is characteristic of the gigue. It also has meter changes that occur here and there which throws the steadiness of the dance out of kilter.
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