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Hispanic Euphonium, The
Composer: Nogueroles, Eduardo
Instrumentation: Solo Instruments: Euphonium
Genre: Contemporaryunaccompanied
From the composer:
The Hispanic Euphonium is a work for solo Euphonium dedicated to my talented and great friend Eduardo Diz.
The music was composed for the Spanish Association of Tubas and Euphoniums (AETYB) 2018 Competition and premiered at the Royal Conservatory of Music of Madrid.
Containing avant-garde techniques such as slaps, double voices, and glissandos, The Hispanic Euphonium is Spanish in character and poses formidable technical and musical challenges for the instrumentalist.
The music begins with a beautiful melody offering the soloist the opportunity to display deep expression and lyricism. A second section is a furious and energetic Allegro full of chromatism that leads to a virtuosic Cadenza.
The central part of the piece is a delicate Waltz in the form of theme and variations. The melody is simple and gentle, and its transformation into each of the two variations requires virtuosity on the part of the interpreter.
After a Scherzando in binary form that builds tension, we ultimately arrive at the final Andalusian dance that includes flamenco winks, with kicks in the style of the dancers and hand pops that remind us of conventional flamenco guitar strokes.
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Duende
Composer: Nogueroles, Eduardo
Instrumentation: Solo and Percussion Instruments: Bass Clarinet, Euphonium, Marimba
Genre: ContemporaryBass Clarinet or Euphonium and Marimba
From the composer:
Duende is a commission from Duo Antwerp, formed by Daniel Bellovi (Bass Clarinet) and Adilia Yip (Marimba), to promote the growth of bass clarinet as a solo instrument, and include Spanish music in the repertoire of this wonderful instrument.
It has been performed in its concerts by the Duo Antwerp in various countries. The version for euphonium and marimba was premiered at the AETYB Festival Madrid 2019- Super Regional ITEA by the Moreau VanTuinen Duo.
After an initial introduction in the form of lament, Duende develops between the first theme marked by the rhythmic ostinato of the marimba (register to low E) and the second theme in the form of buleria in which the two instruments alternate the melodic role. Interspersed between the two themes appear the demanding and suggestive cadences for the bass clarinet or the euphonium and the marimba.
The marked Spanish character of the piece, a good dose of virtuosity in the solo cadenzas, and catchy melodies to the rhythm of buleria, make Duende an irresistible score for a recital of bass clarinet or euphonium with marimba, for the performers and for the public.
- Eduardo Nogueroles
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Canela Fina
Composer: Nogueroles, Eduardo
Instrumentation: Duet Instruments: Euphonium, Tuba
Genre: ContemporaryFrom the composer:
Canela Fina was premiered in the AETYB Valencia 2016 Festival by Juanjo Munera and Sergio Finca to whom the piece is dedicated. The piece begins with a cadenza in which the euphonium and the tuba dialogue briefly showing their full ranges. Then, a virtuous buleria begins, in which we can optionally include the accompaniment of a drum-set or a flamenco cajon to give the piece a characteristic Spanish atmosphere.
Canela Fina received the Harvey Phillips Award for Composition Excellence in the category of Tuba or Euphonium featured in Chamber Music granted in 2019 by the International Tuba Euphonium Association (ITEA).
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World of Dreams, The
Composer: Nogueroles, Eduardo
Instrumentation: Duet and Piano Instruments: Euphonium, Piano, Tuba
Genre: ContemporaryEuphonium and Tuba with Piano
The World of Dreams is a three movement concerto for euphonium, tuba and wind band inspired by the magical world of dreams. The first movement, The Goblins’ Pranks, describes the tiny, mythological individuals charged with safeguarding the forest. The second movement, The Spirit of the Forest, evokes the soul of nature and its magic creatures. The final movement, The Legend of Saint John’s Eve, tells the story of the summer solstice, when magic is at its peak.
Note: Recording is with wind band accompaniment
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Un lugar de encuentro
Composer: Nogueroles, Eduardo
Instrumentation: Octet Instruments: Euphonium, Percussion, Tuba
Genre: ContemporaryEEEETTTT and Optional Percussion (3 players) (Timpani, Snare Drum, Percussion – Tam Tam, Crash Cymbals, Suspended Cymbal, Mark Tree)
Dedicated to the Spanish Association of Tubas and Euphoniums (AETYB), Un Lugar de Encuentro (A Meeting Place) is a commemorative piece in which the euphonium and tuba players, which until now had performed their songs separately, bind in a melody full of hope and brotherhood.
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La mirada del Dragón
Composer: Nogueroles, Eduardo
Instrumentation: Solo Instruments: Tuba
Genre: Contemporaryunaccompanied
From the composer:
“La mirada del Dragón” for solo tuba is dedicated to the memory of the great tuba player and teacher Mel Culbertson. It is inspired by Mel’s lessons on the passage from Wagner’s opera “Siegfried” when Fafner, the dragon guardian of the Nibelungen’s treasure, appears.
The piece, best played on contrabass tuba, was premiered by the composer in May 2019 at the University of Iowa during the International Tuba-Euphonium Conference (ITEC). This work poses significant technical challenges for the musician owing to its contemporary composition techniques combined with the traditional demands of sonority and phrasing.
“La mirada del Dragón” is structured in four sections:
The first section evokes the awakening of the dragon, in which the deep sounds of the tuba combine with air effects to create a lazy, dreary atmosphere.
In the second section, the dragon, hungry and furious, leaves his cave in search of food and does not hesitate to threaten all beings that stand in his way. Frulattos and glissandos, combined with large intervals and a rapid tempo, invoke the struggle for survival in the animal world.
The scherzando of the third section depicts a Fafner struggling to rid his mind of the greed that led him to kill his brother and steal the Nibelungen’s gold. But Fafner’s heart is cold and in the end he realized that he cannot fight against himself.
The fourth and final section of the piece show the angry dragon leaving the surrounding world and gradually returning to his refuge, where he locks himself back in his dreams.
I have never seen a real dragon, but if they ever have existed, I am certain that a dragon’s gaze would be as sincere, deep and penetrating as Mel Culbertson’s gaze. Perhaps I should call this piece “La mirada de Mel”, don’t you think?
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Downloadable - Sonata
Composer: Nogueroles, Eduardo
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano Learn More$19.95Out of stock