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Czardas
Composer: Monti, Vittorio Arranger: Heading, Andrew
Instrumentation: Quartet Instruments: Trombone, Tuba
Genre: Classical, Entertainment3 Trombones and Tuba
Vittorio Monti’s most famous work has finally been transcribed for the instrument it should have been written for – the tuba. Of course, if your group has a whiz-bang trombonist, they could play the solo part themselves, giving the tuba/bass trombonist the third part. The solo may be interpreted freely, and octave-hopping is strongly encouraged – this is, after all, a piece designed to show off your mastery of your instrument. Whatever you like, just go for it!
– Andrew Heading
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Czardas
Composer: Monti, Vittorio Arranger: Sears, Gabriel
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Entertainmentwith Piano
After playing through three different versions of Czardas and feeling like each version could have always had more to it, I finally decided to arrange my own version. What I was finding in the other versions that I layed was the cadenza at the beginning of the piece wasn’t show-stopping enough, and I felt there were more opportunities throughout the entire piece for showmanship … The final cadenza at the end is intended to give this piece and flashy and fun ending. I hope you enjoy my arrangement of Czardas!
–Gabriel Sears
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Dark Matter
Composer: Kirby, Benedict
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
Dark Matter - Petite Concertante for Tuba and Piano is a musical meditation on the metaphorical and literal connotations that can be derived from the title words. The music does have three distinct sections which are woven together to form a sort of triple entendre of meaning. They are book-ended by “home” thematic material.
The first of the three sections, Moderato - bar 39, is meant to imply an “official” seriousness of tone with a developed and dialoguing theme between the soloist and accompaniment. The second section, Doloroso - bar 89, is meant to be played out in quite a sombre context as if to amplify the intent of the previous section and go deeper into it. This mood is eventually relieved as the piece opens up suggesting new possibilities to come. The third section, Allegro - bar 153, sheds the sombre qualities and takes off to give us a more interstellar perspective. The intent here is to celebrate the phenomenal astronomical research concerning the make-up of the universe - in particular that 70% of the material out there that we can’t see but nonetheless has quite a dramatic effect on how everything else (solar systems, galaxies, black holes, etc.) behave! There is one quasi-literal illusion to throwing a switch on a super collider built into the music (bars 224-226) - though this composer confesses never actually having heard one! The music finally finds itself laced with minimalism garnished with coloristic effects and a soaring tuba part as it returns to a transformed version of the opening material. The final flourish reminds us of the scope of this petite concertante.
This music was first performed on March 22, 2013 by the composer as soloist and the Washington State University Wind Ensemble directed by Dan Pham during the 2013 I.T.E.A. Northwest Regional Tuba & Euphonium Conference.
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