Search results for: 'jan bach tuba concerto'
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Switched-Down Bach
Composer: Jones, Roger
Instrumentation: Trio Instruments: Euphonium, Tuba
Genre: ContemporaryFrom $15.00
To $30.00
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Concerto for Tuba
Composer: Paff, John
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith PianoConcerto for Tuba is an easy level piece designed to introduce inexperienced tuba players to the world of accompanied solo performance. The ranges are moderate and the rhythms are not difficult. The format is that of a traditional three movement concerto, with movements labeled Moderato, Andante, and Allegro. For middle school or high school players, this piece can be a real confidence builder and help them reach a level of success, while being entertaining for the listener. Learn More
From $15.00
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Concerto for Tuba
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
This work was commissioned by Timothy Northcut in honor of Winston Morris, professor of tuba and euphonium at Tennessee Tech University since 1967. Among many others, his former students—both Tim and I included—call him a mentor, friend, and genuine hero to the tuba-euphonium world. Anyone who’s met Winston knows that he’s a larger-than-life character, and our goal was to capture a snapshot of that character within the piece.
The first movement, RWM, is constructed from a rhythmic motive that forms the basis of the entire work: 1/4 note followed by 4 1/8 notes
This motive, based on the name ‘R. Winston Morris’, becomes the driving force throughout the work, acting as a musical anchor point. The entrance of the solo tuba introduces the main musical theme that goes on to form much of the melodic material. Conceptually, the first movement represents a day in September of 1967 as Morris began his career at Tennessee Tech University. Beginning with a gentle, noble theme, the mood quickly builds and shifts into an energetic and sometimes whimsical whirlwind. The end of the movement relentlessly hammers out the motive—a tribute to Winston’s unrelenting musical drive. This abruptly shifts with the final note, moving seamlessly into the second movement.
The second movement, Sweet Steel, is dedicated in loving memory to Barbara “Bobbie” Morris. Although the tone is very dark and brooding, it’s ultimately a love song by the soloist, journeying through the stages of grief. From the darkness a second theme, hopeful and uplifting, rises to a heartfelt climax.
The final movement, Cookevegas, is a tongue-in-cheek reference to Cookeville, TN, home of Winston and Tennessee Tech University. His love of jazz is a major influence on this hectic, jazzy trip through the small Southern city. A return of the driving ‘RWM’ motive from the first movement brings the concerto to its finale.
Recording is from the premiere with the U.S. Army Band:
https://www.usarmyband.com/tuba/index.html
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Concerto for Tuba
Composer: Cross, Steven
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryFrom $30.00
To $60.00
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Concerto
Composer: Bach, Johan Sebastian Arranger: Ruske, Eric
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Baroquewith Piano; BW1041 (originally in a minor) Learn MoreFrom $20.00
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Concerto No. 1
Composer: Lester, Ian
Instrumentation: Solo and Piano Instruments: Drum Set, Piano, Tuba
Genre: CeremonialConcerto for Tuba No. 1 for Tuba, Drum Set, and Piano was written for Thomas Stein, professor of tuba and euphonium at the University of Missouri-Kansas City. Each of the four movements is given a one-word title which sets the tone for the corresponding movement: Flowing, Dance, Smoke, and Festivities. The first movement sways between several themes including the main “flowing” material and a heavier, eighth note motive that morphs into a buoyant, jazzy groove. The second movement conveys a light-hearted dance, yet there is a stern, ominous undertone always lurking in the shadows. The third movement brings the listener to the 1920s with the performers creating a smooth atmosphere in an era full of intrigue and mystery. The final movement is a non-stop, chaotic ride that gains momentum through groovy syncopations and off-kilter beats. The tubist brings the piece to a rapid-fire close with a head-banging cadenza and the return of the original thematic material. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $28.00
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Concerto No. 3
Composer: Anderson, Eugene
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporary, Jazzwith Piano and in jazz styles; Dedicated to Patrick Sheridan Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Concerto No. 2
Composer: Anderson, Eugene
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Concerto
Composer: Flinn, Wes
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
While the piece is in three movements (fast-slow-fast), calling it “traditional” does not seem entirely appropriate. Rather, it adapts received forms and structures with a more adventurous harmonic approach and a greater use of dissonance in individual lines.
The first movement starts with what I call “the first stones rolling downhill” – this tumbling motive generates the principal theme. The second theme provides lyrical contrast. The themes are developed in the middle and during the cadenza. There is no break between the first movement and the elegiac second movement. The third and final movement makes us question how we hear simple versus compound subdivisions rhythmically.Learn MoreFrom $22.00
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Concerto
Composer: York, Barbara
Instrumentation: Solo and Piano Instruments: Bass Trombone, Piano
Genre: Contemporarywith Piano
Subtitled "War Games", this Concerto is in four movements:
I. Toy Soldiers
II. Courtship
III. Marriage
IV. Capture the Flag
The Concerto was commissioned by Frank Meredith in honor of Maestro Charles Schneider, 2019
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Concerto for Euphonium
Composer: Nunes, Matthew
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano
This Concerto for Euphonium and Wind Band was composed for one of my former teachers and fellow euphonist Dr. Gail Robertson. For this work I based the material around pitches corresponding to each letter of her first name: G = G natural; A = A natural; I = Ionian, or the current key’s tonic, C natural; L = Lydian, or the fourth degree of the current key, F natural. Each movement is derived in some way from this figure.
The work begins with an energetic fanfare and a taste of the second theme. The euphonium enters with similar pomp and dazzling virtuosity that settles into more heroic statements. Next, the euphonium soars over thick ensemble textures in a tender reflection. Finally, the soloist charges forth in a ferocious display of dexterity and power.
The Concerto premiered April 21st, 2016 by Dr. Gail Robertson (euphonium) and the Little Rock Wind Symphony - Israel Getzov, conductor.
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Concerto for Euphonium
Composer: Liang, Wan-Yun
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporarywith Piano (band version available soon)
Ms. Wan-Yun Liang is a young Taiwanese woman composer, whose works mostly focus on winds chamber music as well as ensemble works. The Euphonium Concerto, Ms. Liang’s latest composition, was commissioned by Shih-Yao Huang, a Taiwanese Baritone player, and the winds ensemble of National Chung Hsing University, Taiwan. This Concerto contains three movements. The first movement is in a sonata form with two contrasting style melodies. The second movement is titled “Rondo” and the main theme is played by the Alto Saxophone player. In the middle section of this movement, the music turns into a charming waltz and which leads goes back to the beginning section. The third movement is a fast dancing movement with a slow introduction. As a brass player herself, Ms. Liang is willing to give the solo part many fast tonguing passages as well lyrical melodies to demonstrate the specific characteristics of this instrument. This work was premiered in July 7th, 2018, by Shih-Yao Huang and the winds ensemble of National Chung Hsing University, Taiwan, under the direction of Chwan-Yaw Foo.
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Concerto for Trombone
Composer: Telemann, Georg Philipp Arranger: Tamagawa, Kiyoshi
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Baroquewith Piano; originally for Viola Learn MoreFrom $17.00
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Euphonium Concerto
Composer: Danner, Greg
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: ContemporaryWith Piano, this was written for Winston Morris in Celebration of 50 Years at Tennessee Technological University. This is a tour de force for the Soloist and the Accompanist. Wind Band accompaniment available as well. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $25.00
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Sonata No. 1
Composer: Gulino, Frank
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Contemporarywith PianoLike all journeys, this 18-minute trombone sonata from composer Frank Gulino features beautiful moments and challenging ones; statements of confidence and passages of uncertainty. Premiered by Philadelphia Orchestra co-principal trombonist Matthew Vaughn, "The Journey" offers stunning lyricism and rich harmonic textures that make it broadly appealing to audiences everywhere and ensure that this work will be a staple of the trombone recital repertoire for years to come.Premiered September 21, 2019, at the Towson University Eastern Trombone Workshop by Matthew Vaughn, trombone, and Sophia Kim Cook, piano.The band accompaniment version is titled "Concerto No. 1".Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Mirrors for Solo Tuba
Composer: Gourlay, James
Instrumentation: Solo Instruments: Tuba
Genre: ContemporaryunaccompaniedI. Refractions
II. Reflections
III. Mirrors
The tuba part includes parts for C Tuba, B-Flat Tuba and E-Flat Tuba. Learn More
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Mini-Suite for Solo Tuba
Composer: Ingram, Charles
Instrumentation: Solo Instruments: Tuba
Genre: Contemporaryunaccompanied
I. Praeludium
II. Getting Around
III. Simple Song
IV. Off Waltz
V. Pompous March
VI. Faux Gigue
The Mini Suite for Solo Tuba was composed in 2015 for my good friend Dr. Richard Perry who is the Tuba/Euphonium professor at the University of Southern Mississippi. Dr. Perry was preparing a recital of unaccompanied music for tuba, and he asked me for a new piece.
The structure of the Mini Suite is very loosely based on the idea of the Baroque instrumental suite. While the Baroque suite is based on a series of dances, this one consists of six movements which are fleeting impressions found in the character pieces that are common in the Romantic period. The last movement is the only one that gives the nod to an actual dance found in the traditional Baroque suite.
The first movement, Praeludium, has no programmatic title and serves the purpose of opening the suite.
The second movement, Getting Around, gives the impression of someone who is far too busy to take time for himself until the last measure when he succumbs to exhaustion.
The third movement, Simple Song, is just that; a simple melody that is delivered without any undue fussiness.
The next movement, Off Waltz, is muted throughout and the steady rhythm that embodies the waltz is obscured on several occasions so that the beat is “off”.
The Pompous March hints at a self-important individual strutting his stuff around town and unintentionally making a comical spectacle of himself.
The final movement, Faux Gigue, goes back to the model of the Baroque suite which generally ended with a lively gigue in compound meter. I decided to write this one in three-quarter time as opposed to one of the compound meters. The term faux is a nod to the fact that this piece does not have the contrapuntal texture that is characteristic of the gigue. It also has meter changes that occur here and there which throws the steadiness of the dance out of kilter.
From $14.00
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Renaissance + Baroque Duets for Tuba, Vol. 2
Composer: Various Arranger: Opaskar, Peter
Instrumentation: Duet Instruments: Tuba
Genre: Baroque, Renaissance40 short duets for tubas from the Renaissance and Baroque eras in various keys, meter, and styles.
Volume 1 found here
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Renaissance + Baroque Duets for Tuba, Vol. 1
Composer: Various Arranger: Opaskar, Peter
Instrumentation: Duet Instruments: Tuba
Genre: Baroque, Renaissance45 short duets for tubas from the Renaissance and Baroque eras in various keys, meter, and styles.
Voluime 2 found here
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $15.00
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Three Tubas Two
Composer: Jones, Roger
Instrumentation: Duet Instruments: Tuba
Genre: Contemporaryoptional part 3 Learn MoreFrom $15.00
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