Search results for: 'All you need is love'
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Alleluia
Composer: Ippolitov-Ivanov, Mikhail Arranger: Chiang, FuChou
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ClassicalIvanov was a Russian composer, teacher and conductor, taking a majority of his tutelage from Russian great Rimsky-Korsakov, eventually using his talents to direct the academy of music and the local branch of the Russian Music Society in Tbilisi, Georgia. Moscow Conservatory appointed him professor in 1893 where he remained until his death, teaching harmony, orchestration and composition, and directing the institution between 1905 and 1922.
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This Alleluia harkens his experience as a student performer in the boy's choir of St. Issac with warm resonant harmonies and very choral style of writing, making this arrangement suitable for church performances or rehearsal warm-ups.From $18.00
To $36.00
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Every Day an Alleluia
Composer: York, Barbara
Instrumentation: Duet Instruments: Euphonium, Piano, Tuba
Genre: ContemporaryEuphonium, Tuba and Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
To $40.00
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ITEC Day 3 June 1, 2016
Instruments: Euphonium, TubaITEC Day 3 2016 Recital Pieces
If not marked download or shipped, the product is only available in the printed form.
CM2912 Prophecies - Barbara York (Mark Norman)
Tuba and Piano
CM2906 Snapshots - Barbara York (Mark Norman)
Tuba and Piano
CM2138 Every Day an Alleluia - Barbara York (Mark Norman and Joe Dollard)
Euph, Tuba and Piano
TEP10287 Tubas Latinas - Aldo Rafael Forte (U of MT)
Tuba Ensemble
CM2045 Tubas of the Apocalypse - Benjamin McMillan (U of MO at KC)
Tuba Quartet
TEP10598 Londonderry Air - Traditional/Mehlan (Baylor)
Tuba Quartet
CM1740 Color Code - Elizabeth Raum (Zach Collins)
French Horn, Tuba and Piano
CM2585 Big Sky - Frank Gulino (Zach Collins)
French Horn, Tuba and Piano
TEP11091 R.S.V.B. Hymn - Gail Robertson (R.S.V.B Quartet)
Tuba Quartet
CM1474 P.C. Tuba Quartet - Barbara York (R.S.V.B Quartet)
Tuba Quartet
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Bill Bailey Won't You Please Trombone
Composer: Bough, Thomas
Instrumentation: Solo and Wind Band Instruments: Trombone
Genre: Contemporary, Jazzwith Concert Band Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $95.00
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Three Movements for Mike
Composer: Wolfe, Lawrence
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryWith piano
This three movement work is a serious challenge for any college or professional performer
From Lawrence Wolfe: I recently was given a wonderful piece of 'composer' advice: 'write what you want to hear.'
I refined that advice slightly to: 'write what you want to hear Mike Roylance play.' Mike does it all, from providing a foundation for the brass section, to incredible pyrotechnics to turning a phrase with beauty and grace. I used a variety of pitch organizing techniques, but they were all a means to create something that would pay tribute to a great musician. I composed the piece starting with the third movement, so as I worked on the first and second movements I knew where I was headed and took the liberty of providing 'hints' of what was to come.
The piece was premiered in Lenox, MA the summer of 2016.
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $35.00
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Woodward - Concerto for tuba and piano
Composer: Woodward, James
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryOne of the staples in the Tuba literature, this version is for Tuba and Piano. It is a major challenge and has been recorded by David Zerkel and Alan Baer as well as performed by countless others. An extended high range is needed to make this piece a success. Learn MoreAs low as $25.00
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Concerto for Tuba
Composer: McMillan, Benjamin
Instrumentation: Solo and Wind Band Instruments: Tuba
Genre: Contemporarywith Wind Band (also available with Piano accompaniment)
This work was commissioned by Timothy Northcut in honor of Winston Morris, professor of tuba and euphonium at Tennessee Tech University since 1967. Among many others, his former students—both Tim and I included—call him a mentor, friend, and genuine hero to the tuba-euphonium world. Anyone who’s met Winston knows that he’s a larger-than-life character, and our goal was to capture a snapshot of that character within the piece.
The first movement, RWM, is constructed from a rhythmic motive that forms the basis of the entire work: 1/4 note followed by 4 1/8 notes
This motive, based on the name ‘R. Winston Morris’, becomes the driving force throughout the work, acting as a musical anchor point. The entrance of the solo tuba introduces the main musical theme that goes on to form much of the melodic material. Conceptually, the first movement represents a day in September of 1967 as Morris began his career at Tennessee Tech University. Beginning with a gentle, noble theme, the mood quickly builds and shifts into an energetic and sometimes whimsical whirlwind. The end of the movement relentlessly hammers out the motive—a tribute to Winston’s unrelenting musical drive. This abruptly shifts with the final note, moving seamlessly into the second movement.
The second movement, Sweet Steel, is dedicated in loving memory to Barbara “Bobbie” Morris. Although the tone is very dark and brooding, it’s ultimately a love song by the soloist, journeying through the stages of grief. From the darkness a second theme, hopeful and uplifting, rises to a heartfelt climax.
The final movement, Cookevegas, is a tongue-in-cheek reference to Cookeville, TN, home of Winston and Tennessee Tech University. His love of jazz is a major influence on this hectic, jazzy trip through the small Southern city. A return of the driving ‘RWM’ motive from the first movement brings the concerto to its finale.
Recording is from the premiere with the U.S. Army Band:
https://www.usarmyband.com/tuba/index.html
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$150.00 -
Concerto for Tuba
Composer: McMillan, Benjamin
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
This work was commissioned by Timothy Northcut in honor of Winston Morris, professor of tuba and euphonium at Tennessee Tech University since 1967. Among many others, his former students—both Tim and I included—call him a mentor, friend, and genuine hero to the tuba-euphonium world. Anyone who’s met Winston knows that he’s a larger-than-life character, and our goal was to capture a snapshot of that character within the piece.
The first movement, RWM, is constructed from a rhythmic motive that forms the basis of the entire work: 1/4 note followed by 4 1/8 notes
This motive, based on the name ‘R. Winston Morris’, becomes the driving force throughout the work, acting as a musical anchor point. The entrance of the solo tuba introduces the main musical theme that goes on to form much of the melodic material. Conceptually, the first movement represents a day in September of 1967 as Morris began his career at Tennessee Tech University. Beginning with a gentle, noble theme, the mood quickly builds and shifts into an energetic and sometimes whimsical whirlwind. The end of the movement relentlessly hammers out the motive—a tribute to Winston’s unrelenting musical drive. This abruptly shifts with the final note, moving seamlessly into the second movement.
The second movement, Sweet Steel, is dedicated in loving memory to Barbara “Bobbie” Morris. Although the tone is very dark and brooding, it’s ultimately a love song by the soloist, journeying through the stages of grief. From the darkness a second theme, hopeful and uplifting, rises to a heartfelt climax.
The final movement, Cookevegas, is a tongue-in-cheek reference to Cookeville, TN, home of Winston and Tennessee Tech University. His love of jazz is a major influence on this hectic, jazzy trip through the small Southern city. A return of the driving ‘RWM’ motive from the first movement brings the concerto to its finale.
Recording is from the premiere with the U.S. Army Band:
https://www.usarmyband.com/tuba/index.html
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $28.00
To $56.00
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Frontier Fanfare
Composer: Gulino, Frank
Instrumentation: Brass Choir Instruments: Euphonium, French Horn, Trombone, Trumpet, Tuba
Genre: Contemporarycommissioned by SchoolOfBrass.com
4 Trumpets, 4 Horns, 4 Trombones, 2 Euphoniums and 2 Tubas
School Of Brass artists:
Trumpet
Louis Dowdeswell – Youtube Content Creator & Music Producer
Elisabeth Fessler – Harmonic Brass & Trossingen University (Germany)
Jennifer Marotta – USC Thornton School of Music
John Powlison – American Military Musician
Rex Richardson – International Soloist and Jazz Artist
Michael Sachs – Principal Trumpet, The Cleveland Orchestra
Isaac Winland – West Liberty & Mount Vernon Nazarene University (trumpet and music technology)
Horn
Elizabeth Freimuth – Principal Horn, Cincinnati Symphony Orchestra
Albert Houde – Principal Horn, West Virginia Symphony
Ben Jacks – Principal Horn, Sydney Symphony Orchestra
Hugo Valverde – Metropolitan Opera Orchestra
Larry Williams – Yamaha Performing Artist / Clinician
Trombone
Hakeem Bilal (Bass) – West Virginia University, River City Brass, C Street Brass, Beauty Slap
Gabriel Colby – Wellness Coach, River City Brass, C Street Brass, Beauty Slap, Nu Deco Ensemble
Cristian Ganicenco – Principal Trombone, Cincinnati Symphony Orchestra
Frank Gulino (Bass) – Composer in Residence, Edwards Artist/Clinician
Jim Nova – Pittsburgh Symphony Orchestra
Tim Smith (Tenor and Bass) - Buffalo Philharmonic Orchestra
Jessica Sneeringer – Athena Brass Band, Central Ohio Brass Band
Euphonium
Jason Casanova – Georgia Brass Band, Kennesaw & Jacksonville State Universities
David Childs – International Soloist, University of North Texas
Adam Frey – International Soloist, University of North Georgia, SchoolOfBrass.com Artistic Director
Mark Jenkins – American Military Musician, George Mason University
Michael Waddell – Hiram College, SchoolOfBrass.com Technical Director
Tuba
Øystein Baadsvik – International Soloist
Zach Collins – Indiana University of Pennsylvania
James Gourlay – River City Brass, Duquesne University
Carson McTeer – West Virginia University & Principal Tuba, West Virginia Symphony
Christopher Olka – Principal Tuba, Cincinnati Symphony Orchestra
Gene Pokorny – Principal Tuba, Chicago Symphony Orchestra
Chamber Groups
C Street Brass (Brass Quintet)
Keystone Quartet (Tuba-Euph Quartet)
Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
To $44.00
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I See
Composer: Kelley, Shawn
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: ContemporaryFrom $18.00
To $36.00
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Three Chansons
Composer: Debussy, Claude Arranger: Chiang, FuChou
Instrumentation: Quartet Instruments: Euphonium, Tuba
Genre: Classical, ImpressionismI. Lord! Lovely Hast Thou Made My Dear
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II. When’er the Tambourine I Hear
III. Cold Winter, Villain That Thou Art!From $18.00
To $36.00
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'Mazing
Composer: Denham, Robert
Instrumentation: Solo Instruments: Bass Trombone
Genre: ContemporaryThis will be a great challenge for any college or professional Bass Trombone player and the audience will love it. Take on the challenge! Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
To $34.00
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Sonata No. 1
Composer: Gulino, Frank
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: Contemporarywith PianoLike all journeys, this 18-minute trombone sonata from composer Frank Gulino features beautiful moments and challenging ones; statements of confidence and passages of uncertainty. Premiered by Philadelphia Orchestra co-principal trombonist Matthew Vaughn, "The Journey" offers stunning lyricism and rich harmonic textures that make it broadly appealing to audiences everywhere and ensure that this work will be a staple of the trombone recital repertoire for years to come.Premiered September 21, 2019, at the Towson University Eastern Trombone Workshop by Matthew Vaughn, trombone, and Sophia Kim Cook, piano.The band accompaniment version is titled "Concerto No. 1".Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
To $194.00
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Three Moods
Composer: Ingram, Charles
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Contemporarywith Piano
Written for Dr. Richard Perry, this piece is in three movemnts:
1. Easy Going
2. Pensive
3. Sassy
Use your own mood to bring this piece to life.
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To $36.00
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Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Soprano Sax, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Clarinet, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Trumpet, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Ventures
Composer: Buss, Howard J.
Instrumentation: Solo and Percussion Instruments: Euphonium, Percussion
Genre: ContemporaryDedicated to Patrick Nyren, in three movements, Boldly, Introspective, and Go!, this colorful work demonstrates the incredible expressive range and technical capabilities of the instruments. The percussion instrument setup is designed so that it can be performed by one or two players. Ventures received its premiere performance on November 2, 2014 by Patrick Nyren, euphonium, and percussionists Daniel Lyons and Kenny Goss at New Mexico State University in Las Cruces. It is a "must" for all serious euphonium players! Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$30.00 -
Trigon
Composer: Buss, Howard J.
Instrumentation: Trio Instruments: Trombone, Trumpet, Tuba
Genre: ContemporaryThis riveting and energetic piece is characterized by lyrical passages juxtaposed with aggressive, angular sections. All three players are given substantial solo lines in this exciting tour de force. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$22.00 -
Feierlicher Einzug
Composer: Strauss, Richard Arranger: Bough, Thomas
Instrumentation: Brass Band (British style) Instruments: Bass Trombone, Cornet, Euphonium, Flugelhorn, French Horn, Timpani, Trombone, Tuba
Genre: ClassicalFanfare for the Solemn Procession of the Knights of the Order of St. JohnI am pleased to dedicate this arrangement to the Fox Valley Brass Band. Thanks to a generous donor, this project was completed during the Christmas season of 2019. Thanks also to Jonathan Hauser who suggested this wonderful piece of music as a performance opportunity for our band. Most of all, thanks to the talented and hard-working members of the Fox Valley Brass Band who allow me to conduct this wonderful ensemble. We look forward to performing this work for the very first time in March 22, 2020 at a joint concert with the Des Plaines Park District Community Concert Band, Dr. Allen Legutki, conductor.
The full name of the composition is “Feierlicher Einzug der Ritter des Johanniter-Orderns”, which the Wind Repertory Project web site translates as “Fanfare for the Solemn Procession of the Knights of the Order of St. John.” Program notes from the Northwestern University Symphonic Wind Ensemble point out that Strauss was already a well-known conductor and composer when he wrote this composition in 1909. One of only a handful of his works written exclusively for winds, Strauss’s powerful, majestic composition is scored for 15 trumpets, 4 horns, 4 trombones, 2 tubas and timpani. It was composed for the investiture ceremonies of the Order of St. John, a Western Christian military order that was founded in Jerusalem in 1023 to care for poor, sick or injured pilgrims journeying to the Holy Land. Learn More
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $45.00
To $90.00