Search results for: 'strauss'
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Two Strauss Songs
Composer: Strauss, Richard Arranger: Drobnak, Kenneth
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: ContemporaryFrom $15.00
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Morgen
Composer: Strauss, Richard Arranger: Caldarise, Joseph
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano
One of Richard Strauss’ most widely known and often recorded songs, Morgen is the last in a set of four lieder that were written as a wedding present for Strauss’ wife, Pauline. A highly melodic piece, the small nuances are key to a successful performance. The performer should also have a good sense of rubato, as the accompaniment allows for a good amount of artistic time-stretching. The text originates from a love poem of the same name by John Henry Mackay, a contemporary of Strauss.
– Joseph Caldarise (arranger)
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Allerseelen
Composer: Strauss, Richard Arranger: Stuckemeyer, Patrick
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classicalwith Piano
Richard Strauss was a German-born composer and conductor. He emerged shortly after the death of Wagner and Brahms as one of the most important Germanic composers. His career spanned almost eight decades. He composed in all genres, but is most famous for his tone poems. His vocal lied, Allerseelen, which means “All Soul’s Day”, was composed in 1940. This new setting by Patrick Stuckemeyer bring the soaring melodic lines to the euphonium with an updated piano score by Ellen Bottorff.
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Romantic Tuba, The
Composer: Various Arranger: Caldarise, Joseph
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Romanticwith Piano
The Romantic Tuba is a compilation or works arranged for tuba by Joe Caldarise.
Melodie – Taken from Tchaikovsky’s Souvenir d’un lieu cher, this popular violin work fits in quite well with thick melodic low voice of the tuba. The original work began life as the second movement of the famous Violin Concerto, however the composer chose to discard and recast it in a more intimate setting for violin and piano. The lyrical melodic line, characteristic of Tchaikovsky, gives the performer a great opportunity to demonstrate how the tuba’s power and flow can be applied to truly sing on the instrument. And the more technical moments allow the player to show off just how deft and nuanced the instrument can be as well.
Allerseelen – Strauss composed this “All Soul’s Day” song to fit the poetry of the Austrian Hermann von Gilm. This popular art song has since been arranged for various settings, from orchestras to brass bands, but suits the tuba’s voice just beautifully. The held notes give time for the tuba’s sound to fill the room while the harmonies shift in that gorgeous late-Romantic style. And the climax provides the instrument with the great operatic moment that it so deserves.
Zueignung – Originating from the same Strauss song set as Allerseelen, this song takes a much more operatic turn. The opening rolling triplets give the piece a strong sense of forward momentum, carrying it as a performer might traverse across the stage. History has proven this to be one of Strauss’ best-known songs, and the climactic statement in the final measures certainly gives the tuba a great moment to take center-stage.
Abendlied – The ever-moody Schumann originally composed this piece for violin and piano. Its slow and halting accompaniment allows the soloist to demonstrate their skills with rubato and nuanced phrasing. As with most Romantic music, care should be taken to bring out the accidentals, so as to heighten the dramatic tension-release of this seemingly simple piece.
Liebestraume – As one of Liszt’s most popular pieces of all time, this piece is quintessential Romantic love song. No aspect of the tuba or tubist is left unexplored here. It begins with a simple, yet confined melody, taking advantage here of the tuba’s warm middle-low register. The brief quasi cadenza section gives the player a sparkling moment to give the listener a glimpse of the tuba’s technical capabilities. The accompaniment then gradually grows in intensity while the tuba elaborates on the main theme while ramping up the passion and strength of the instrument’s voice. By mm. 41 and 54, the player should be commanding the room with the full power of the instrument, poured into a sweeping melodic phrase. After a dazzling display of technical fluency with the cadenza, the piece shrinks back to its most intimate form. The final bars of the solo part afford the player the chance to display the instrument’s most delicate and poignant voice, before sliding back down into the lower register for final tonic note.
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Radetzky March
Composer: Strauss, Johann Arranger: Knoener, Ronald
Instrumentation: Solo and Piano Instruments: Euphonium, Tuba
Genre: MarchUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $15.00
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Nocturne
Composer: Strauss, Franz Arranger: Fischer, Michael
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Classicalwith Piano Learn MoreFrom $15.00
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Nocturne
Composer: Strauss, Franz Arranger: Fischer, Michael
Instrumentation: Solo and Piano Instruments: Piano, Tuba
Genre: Classicalwith Piano Learn MoreFrom $15.00
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Csardas
Composer: Strauss, Johann Arranger: Frenkel, Ian
Instrumentation: Solo and Piano Instruments: Piano, Trumpet
Genre: Romanticwith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $17.00
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Fantasie, Op. 2
Composer: Strauss, Franz Arranger: Madeson, Robert
Instrumentation: Solo and Piano Instruments: Euphonium, Pianowith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $16.00
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ITEC Day 2 May 31, 2016
Instruments: Euphonium, Tuba
Genre: Classical, ContemporaryITEC Day 2 2016 Recital Pieces
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CM2140 Tubaphonium Overture - Zach Collins (Murray State)
Tuba Ensemble
CM1477 Gravity Dances - Anthony Zilincik (Murray State)
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CM1707 Runnin’ with Bydlo - Greg Danner (Murray State)
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TEP10935 Declarations - David Uber (U of TN)
Tuba Ensemble
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Feierlicher Einzug
Composer: Strauss, Richard Arranger: Bough, Thomas
Instrumentation: Brass Band (British style) Instruments: Bass Trombone, Cornet, Euphonium, Flugelhorn, French Horn, Timpani, Trombone, Tuba
Genre: ClassicalFanfare for the Solemn Procession of the Knights of the Order of St. JohnI am pleased to dedicate this arrangement to the Fox Valley Brass Band. Thanks to a generous donor, this project was completed during the Christmas season of 2019. Thanks also to Jonathan Hauser who suggested this wonderful piece of music as a performance opportunity for our band. Most of all, thanks to the talented and hard-working members of the Fox Valley Brass Band who allow me to conduct this wonderful ensemble. We look forward to performing this work for the very first time in March 22, 2020 at a joint concert with the Des Plaines Park District Community Concert Band, Dr. Allen Legutki, conductor.
The full name of the composition is “Feierlicher Einzug der Ritter des Johanniter-Orderns”, which the Wind Repertory Project web site translates as “Fanfare for the Solemn Procession of the Knights of the Order of St. John.” Program notes from the Northwestern University Symphonic Wind Ensemble point out that Strauss was already a well-known conductor and composer when he wrote this composition in 1909. One of only a handful of his works written exclusively for winds, Strauss’s powerful, majestic composition is scored for 15 trumpets, 4 horns, 4 trombones, 2 tubas and timpani. It was composed for the investiture ceremonies of the Order of St. John, a Western Christian military order that was founded in Jerusalem in 1023 to care for poor, sick or injured pilgrims journeying to the Holy Land. Learn More
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