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Good Lips: Warm-ups, Daily Routines, and Etudes for Brass Players
Composer: Ige, Brendan
Instrumentation: Methods/Studies/Etudes Instruments: Euphonium, French Horn, Trombone, Trumpet, Tuba
Genre: ContemporaryGOOD LIPS: Warm-ups, Daily Routines, and Etudes for Brass Players
This book is born out of my experience teaching economically disadvantaged folk and wanting there to be a better way of getting my students materials than stealing the work of my colleagues by making photocopies of singular exercises out of books. We, as teachers and students, have all had books that were 50-300 pages long that we would like our students to own, but do not ask them to purchase because they might only use 3-20 pages. My students, generally, cannot afford to buy every book and musicians cannot afford to give away their work for free. This book is not meant to be exhaustive or original in content. It is meant to meant to be a survey of some of the work needed to become one of “the world’s best,” meant to inspire a student to purchase books that are more in depth on the concepts presented, and most of all, meant to give a student one book that touches on most skills needed in the western art aesthetic.
Please: Sample pages are from the trombone or euphonium treble clef version
Learn MoreAs low as $17.00
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Good Lips (trumpet version)
Composer: Ige, Brendan
Instrumentation: Trumpet Methods/Studies/Etudes Instruments: Trumpet
Genre: ContemporaryGOOD LIPS: Warm-ups, Daily Routines, and Etudes for Brass Players (trumpet version)
This book is born out of my experience teaching economically disadvantaged folk and wanting there to be a better way of getting my students materials than stealing the work of my colleagues by making photocopies of singular exercises out of books. We, as teachers and students, have all had books that were 50-300 pages long that we would like our students to own, but do not ask them to purchase because they might only use 3-20 pages. My students, generally, cannot afford to buy every book and musicians cannot afford to give away their work for free. This book is not meant to be exhaustive or original in content. It is meant to meant to be a survey of some of the work needed to become one of “the world’s best,” meant to inspire a student to purchase books that are more in depth on the concepts presented, and most of all, meant to give a student one book that touches on most skills needed in the western art aesthetic.
Learn MoreAs low as $17.00
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Velocite Polka
Composer: Ligner, Felix Arranger: Howey, Henry
Instrumentation: Solo and Piano Instruments: Piano, Trumpetwith Piano; A nice solo for a good High School player or any College or higher player; A mon ami E. LACHANAUD Cornet Solo d la Garde Républicaine, de l'Opera et de la Société des Concerts Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.As low as $18.00
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50 Exercises sur le Coup de Langue Ternaire
Composer: Ligner, Felix Arranger: Howey, Henry
Instrumentation: Trumpet Methods/Studies/Etudes Instruments: TrumpetProgressing from the basics to the more advanced, this book will teach a player how to triple tongue with ease and then apply it to their everyday playing. For Bb Trumpet. Learn MoreAs low as $15.00
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Trumpet Tunes
Composer: Thyhsen, John
Instrumentation: Trumpet Methods/Studies/Etudes Instruments: TrumpetThese melodies are meant to encourage the performer to improve:
1. Playing consistently with stability
2. Embouchure (muscle control) set-up
3. Concentration
4. Aural perception (learn placement of 13 notes used in Western music scale)
5. Eye-ear-finger-breath-co-ordination
These melodies are meant to help each person to:
1. Understand that he/she is the instrument from which music evolves
2. Realize how much co-ordination can be achieved or maintained by progressing through
the melodies
3. Re-establish self-confidence after a challenging rehearsal
4. Re-establish the basic overall mental and physical set-up that may have been thrown off
5. Have fun playing, and hear how one would like to sound all the time
These melodies can be played in any order. Remember - the secret to playing beautifully is knowing when not to play! Rest in between melodies.
Melodies are meant to encourage and challenge the player through relaxed and controlled
conditions. While the melodies might look easy, they are meant to be played slowly and under
control (even those that have 16th's and 32nd's). None of the melodies with wide intervals should
be played fast at first. Only when ease of playing has been established with good response should the performer try to play these melodies fast for flexibility purposes. Dynamics are relative. Play all melodies at the dynamic level that you sound the best and with the best response.
All of these melodies will become more effective after:
1. The player has been informed about a good embouchure set-up
2. The control of breath, fingers, embouchure muscles, mouth cavity and air projection has
taken place
Results:
Good response
Pleasing sound
Improved ensemble performance
Better student/teacher relationship
Increased self-respect
Greater concern for musical expression
More fun in playing
Learn MoreAs low as $18.00