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Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Soprano Sax, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Clarinet, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Three Jazzicals
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Trumpet, Tuba
Genre: ContemporaryDedicated to tubist Jay Hunsberger. This colorful composition is cast in 3 movements - To Bop or Not to Bop, Sounds from the Cool Smoke, and Hotish. The composer states, “ In Three Jazzicals it was not my aim to create a specific hybrid style by synthesizing jazz and modern classical music; rather, my intent was to systematically strip away the fundamental elements of jazz to explore at what point the music ceases being jazz and becomes classical. The style of Three Jazzicals is the resultant this procedure. It is understood that because the subject of what constitutes jazz (there are so many kinds) is so complex, depending upon the background and views of the listener, Three Jazzicals will sound jazzy (in varying degrees) to most, and mostly classical to some.” The instruments employed have been traditionally used in jazz. However, stripped away is the rhythm section; traditional chord progressions; melodic, rhythmic and formal clichés; and improvisation. Among the elements kept is the allowance for personal expression through each player’s tone, inflections, and articulations. The players are specifically asked not to swing at any time. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Three Dances
Composer: Zugger, Thomas
Instrumentation: Duet Instruments: Bassoon, Clarinet, Trombone
Genre: ContemporaryIn 3 movements : Jazz Waltz, Slow Dance, and Irish Jig. In this charming and entertaining work the composer envisions two people dancing with one another. The "lead" in each dance is shared in alternation between the two instrumentalists. The first movement, Jazz Waltz, is in ABA form with the middle section being a waltz in 4/4. The melody is introduced by the bassoon (or trombone) and is passed back and forth throughout. In the enchanting second movement, Slow Dance, the musical material undergoes continuous development with the equality of the parts being paramount. The energetic final movement, Irish Jig, opens with an intriguing mixed meter section which leads to the rousing jig. It concludes with an exciting and frenzied accelerando and fugue. This work is fun to perform and has a great audience appeal! The clarinet and trombone version is recorded on the CD Dances and Dreams [Mark Records 8290-MCD] Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$16.00 -
Three Sackbuteers Enter Valhalla, The
Composer: Buss, Howard J.
Instrumentation: Trio Instruments: Trombone
Genre: Contemporary"The Three Sackbuteers Enter Valhalla" for trombone trio by Howard J. Buss was named winner of the 2018 American Trombone Workshop’s National Composition Competition sponsored by the U. S. Army Band “Pershing’s Own.” It is a fantasy piece in which the composer imagines the entrance of three sackbut players into the enormous hall of Valhalla. An improbable collage of specious ideas and historical anachronisms combine in dream-like manner and are embedded in the musical tapestry of this work. The sophisticated musical language of "The Three Sackbuteers Enter Valhalla" combines with the programmatic fantasy implications and audience participation to create a rousing concert feature. For trios doing outreach concerts in the schools, it affords the opportunity to discuss the history of the trombone in a way that is fun and sure to engage the students. (6’30”) Grade V. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$16.00 -
Tubaisms
Composer: Buss, Howard J.
Instrumentation: Solo Instruments: Tuba
Genre: Contemporary"Tubaisms" for unaccompanied tuba by Howard J. Buss is in three short movements: From the Depths, Joviality, and Oompah! Each displays a variety of the unique characteristics of the tuba without using extended techniques or extreme range. The accessible musical language, coupled with the soaring melodies and intriguing rhythms, make this an audience-friendly concert work as well as an impressive contest piece. Because of its modest technical demands, it is suitable for performance by advanced high school and college-level performers. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$14.00 -
Concerto for Euphonium
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Euphonium, Piano
Genre: Contemporary"Concerto for Euphonium" for euphonium and piano by Howard J. Buss was composed during 2016 and 2017 and is dedicated to Patrick Nyren. This work was created in two versions – one for euphonium and piano, and the other for euphonium and orchestra. (The euphonium and orchestra version will be published at some point in the future.) Cast in two movements, Reminiscences and Excursions, the music spans a wide range of moods and timbral atmospheres, ranging from lyric tenderness to forceful, aggressive sections. The piano score and solo part is included. (19’) Grade V-VI. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
To $44.00
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For the Funk of It
Composer: Browning, Zack
Instrumentation: Solo and Piano Instruments: Bass Trombone, Piano, Tuba
Genre: Contemporarywith Piano: Hard-driving funk and off-beat reggae passages are contrasted with lyrical lines derived from a twelve-tone set. This unusual combination of styles creates an energetic and volatile setting for the performers, who must switch from one style to another within the course of the composition. The result is an entertaining and memorable work which is fun to perform. For the Funk of It was written for and premiered by Fritz Kaenzig of the University of Michigan. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$18.00 -
Alien Loop de Loops
Composer: Buss, Howard J.
Instrumentation: Solo and Electronics Instruments: Electronics, Tuba
Genre: ContemporaryALIEN LOOP DE LOOPS for solo instrument and electronic recording by Howard J. Buss is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. The composer envisioned a performer outside in an open area during an air show by an alien craft. During the opening section he/she is playing unaccompanied, but then is joined by the recording which contains sounds generated by traditional instruments as well as an "alien" voice, the spacecraft, and various electronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops combined to form an imaginative and picturesque sonic tapestry. The publication includes the sheet music and a CD (attached to the inside of the back cover) that contains a performance track and the accompaniment track. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
American Phoenix
Composer: Buss, Howard J.
Instrumentation: Solo and Percussion Instruments: Bass Trombone, Percussion, Tuba
Genre: ContemporaryWritten for Stefan Sanders, then bass trombonist with the Buffalo Philharmonic, and the 30th Anniversary of the International Trombone Association. In 3 movements, this colorful work was composed immediately following the important world events of September 11, 2001. It was premiered by Mr. Sanders and members of the University of North Texas Percussion Ensemble at the 2002 International Trombone Festival in Denton, Texas. It is in 3 movements: In Remembrance 9/11/01, Repercussions, and Renewal. Percussion Distribution - Percussion 1: Xylophone, tubular bells (chimes), suspended cymbal, snare drum, police whistle, and Chinese bell tree; Percussion 2: Vibraphone, 2 suspended cymbals, 4 tom toms, bongos, and wood block; Percussion 3: Marimba, tam-tam, lion roar, ratchet, slapstick, wind chimes, and suspended cymbal; Percussion 4: Marimba (to low A), timpani (4), tambourine, 2 cowbells, and suspended cymbal. "Buss’ melodies vary. They are mystic, poignant, heroic, often modal, and at times reminiscent of folk songs. He writes for the percussion ensemble with mastery and features a wide range of instruments. The sound landscape is rich with many moods and timbres. American Phoenix is an attractive addition to a solo program or as a feature piece for a percussion recital. It is rewarding for both performer and audience.” - The ITA Journal, January 2005 Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$50.00 -
Alien Loop de Loops
Composer: Buss, Howard J.
Instrumentation: Solo and Electronics Instruments: Electronics, Trombone
Genre: ContemporaryALIEN LOOP DE LOOPS for solo instrument and electronic recording by Howard J. Buss is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. The composer envisioned a performer outside in an open area during an air show by an alien craft. During the opening section he/she is playing unaccompanied, but then is joined by the recording which contains sounds generated by traditional instruments as well as an "alien" voice, the spacecraft, and various electronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops combined to form an imaginative and picturesque sonic tapestry. The publication includes the sheet music and a CD (attached to the inside of the back cover) that contains a performance track and the accompaniment track. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Alien Loop de Loops
Composer: Buss, Howard J.
Instrumentation: Solo and Electronics Instruments: Electronics, Euphonium
Genre: ContemporaryALIEN LOOP DE LOOPS for solo instrument and electronic recording by Howard J. Buss is a playful and capricious fantasy piece designed to appeal to a wide range of audiences. The title refers to both programmatic and technical elements in the composition. The composer envisioned a performer outside in an open area during an air show by an alien craft. During the opening section he/she is playing unaccompanied, but then is joined by the recording which contains sounds generated by traditional instruments as well as an "alien" voice, the spacecraft, and various electronic effects. Technically, the title refers to how the recording was made. It consists of numerous sound loops combined to form an imaginative and picturesque sonic tapestry. The publication includes the sheet music and a CD (attached to the inside of the back cover) that contains a performance track and the accompaniment track. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$20.00 -
Ballad
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Bass Trombone, Piano, Tuba
Genre: Contemporarywith Piano; This beautiful piece radiates a sensuous lyricism and and nostalgic mood. The structure of the work is A-B-A-Coda, the A section is melodious, flowing, and expressive. The B section is more animated and has a playful nature. This is a “must” for your next recital or competition. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$17.00 -
Trigon
Composer: Buss, Howard J.
Instrumentation: Trio Instruments: Trombone, Trumpet, Tuba
Genre: ContemporaryThis riveting and energetic piece is characterized by lyrical passages juxtaposed with aggressive, angular sections. All three players are given substantial solo lines in this exciting tour de force. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$22.00 -
Cascades
Composer: Vogel, Roger C.
Instrumentation: Brass Quintet Instruments: 2 Trumpets, Horn, Trombone and Tuba
Genre: ContemporaryMusical “cascades” rush forth from one another throughout in this exciting new work. Cascades is divided into three main sections. A fast energetic opening eventually gives way to a slower section before the opening mood returns in increasing intensity to the rousing conclusion. This accessible composition makes an outstanding contest piece, feature number, or because of its character, a dashing encore. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$18.00 -
Illuminations
Composer: Buss, Howard J.
Instrumentation: Solo and Wind Band Instruments: Bass Trombone, Tuba
Genre: ContemporaryOriginally for bass trombone (or tuba) and piano, was composed for Charles Vernon, bass trombonist with the Chicago Symphony Orchestra, and the 30th Anniversary of the International Trombone Festival. This significant addition to the repertoire is written in an accessible modern style. The musical language is sophisticated, yet appealing to general audiences. Illuminations is cast in 2 contrasting movements: The first, Reverie, is contemplative and lyrical. Beautiful, expansive melodic lines are woven into a gentle, almost mystical, musical fabric. The second movement, Urban Lights, is an energetic rondo that is strongly influenced by jazz, and in one section, funk music. “Thoughtful, tuneful, and rewarding to perform.” – ITA Journal Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$100.00 -
Imaginations
Composer: Buss, Howard J.
Instrumentation: Trio Instruments: French Horn, Piano, Trombone
Genre: Contemporarywith Piano: Imaginations showcases the agility and beautiful, sonorous tone of the horn, trombone, and piano ensemble. Ranging from lyric tenderness to powerful (and sometimes fiery) technical displays, the 2 movements, Contemplative and Auspicious, explore a wide range of sonic atmospheres and moods. The sophisticated musical language, coupled with the soaring melodies and intriguing rhythms, make this a significant, audience-friendly concert work. Imaginations was composed for Gene Berger, horn; John Seidel, trombone; and Elizabeth Seidel, piano. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$22.00 -
Reflections on the "Last Post"
Composer: Buss, Howard J.
Instrumentation: Solo and Wind Band Instruments: Tuba
Genre: Contemporary"Reflections on the Last Post" for tuba and band (or wind ensemble) by Howard J. Buss was inspired by The Last Post Ceremony at the Menin Gate Memorial in Ypres, Belgium. It honors the thousands of soldiers who died to free Belgium from the Germans in WWI. The Last Post Ceremony was first held on July 1928 and has been performed every night since November 11, 1929 at the Menin Gate Memorial, except during the years of the German occupation of Ypres from May 20, 1940 to September 6, 1944. During the occupation the ceremony was continued at the Brookwood Military Cemetery in Surrey, England. The composition develops the “Last Post” bugle call, which is performed near the beginning of the ceremony. The work also has stirring sections signifying the youthfulness and vitality of those who fought and died on the Ypres battlefields This work was winner of the Composition Competition of the U.S. Army Band’s 2019 Tuba-Euphonium Workshop and will be used for the workshop’s 2020 performers’ competition. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$100.00 -
Concertante
Composer: Buss, Howard J.
Instrumentation: Duet Instruments: Piano, Trombone, Tuba
Genre: ContemporaryCONCERTANTE for trombone, tuba and piano by Howard J. Buss is dedicated to trombonist Tom Brantley and tubaist Joseph Alvarez. In this one-movement composition the trombone and tuba are treated as equal partners as they traverse a wide variety of sonic atmospheres. Energetic and sometimes fiery sections surround a beautiful and lyrical central part. Score and parts are included. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$22.00 -
Trek
Composer: Buss, Howard J.
Instrumentation: Solo and Piano Instruments: Piano, Trombone
Genre: ContemporaryTREK! “A Fantasy for Trombone and Piano” (1999) by Howard J. Buss is a powerful and exciting romp through 4 continuous movements. Fanfare, fugal, and jazzy sections contrast. This is a “must” for advanced players. Commissioned for the 1999 International Trombone Festival in New York, premiered by Douglas Wright (Minnesota Orchestra). Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.$18.00