Items 1-20 of 95
Instrumentation: Duet Instruments: French Horn, Tuba
20 Duets for Horn and Tuba is perfect for a get together with a friend or for a teacher and student. This set includes pieces from Bach, Beethoven, Chopin, etc.Learn More
Instrumentation: Trio Instruments: Bassoon, Clarinet, Flute
Genre: ContemporaryA charming Woodwind Trio for Flute, Clarinet and Bassoon has three movements and is perfect for a recital or any other type of musical occasion. Learn More
As low as $18.00
Instrumentation: Trio Instruments: Clarinet, Flute, Oboe
Genre: ContemporaryThis trio for Flute, Oboe, and Clarinet was commissioned by Dr. Caterina Bristol, Chair of the Department of Music at Alabama State University. The piece includes five short movements, each of which is composed in a horizontal fashion, without a sense of tonality, using the same seven-note synthetic scale throughout (Db, D, Eb, E, F#, G, Bb). Learn More
As low as $18.00
Instrumentation: Ensemble Instruments: Cello, Choir, English Horn, French Horn, Piano
Genre: ContemporaryHorn or English Horn or Cello, Baritone, SATB and Piano Learn More
Genre: Contemporaryfor Flute and Trumpet; 10 Deuts with recipes from Gerad Gabehart Learn More
As low as $18.00
Instrumentation: Duet Instruments: French Horn, Piano, Trombone
Genre: ContemporaryHorn, Trombone and Piano Learn More
Instrumentation: Trio Instruments: French Horn, Piano, Tuba
Genre: ContemporaryHorn, Tuba and Piano Learn More
Instrumentation: Mixed Ensemble Instruments: Euphonium, Piano, Tuba
Written for Gail Robertson and Stacy Baker (SymbiosisDuo) Premiered May 24, 2019 - International Women's Brass ConferenceLearn More
Instrumentation: Mixed Ensemble Instruments: Bassoon, Cello, Clarinet, French Horn, Tuba
Genre: ContemporaryTuba, Clarinet, French Horn, Bassoon and Cello (or bass clainet); Winner of the NEOTUBA Tuba Ensemble Contest, sponsered by Tubists Universal Brotherhood Association and the University of Akron Learn More
Instrumentation: Solo and Chamber group Instruments: Bass, Percussion, Piano, Tuba
reduction with Rhythm section (recording is with wind ensemble)
The Concerto for tuba and winds is in my usual Third-Stream style, but I utilized
many new techniques for the first time in this piece. Jazz, rock, hip-hop and many kinds
of classical styles come together in the Concerto. Polymeter, improvisation and intuitive
swing notation play important roles in this piece as well as traditional four-part
counterpoint and ancient Greek form. It is simply titled Concerto in a classical fashion
but each movement has a more descriptive title.
I. Swing Low
III. Cutting Contest
I utilized a customized variation on the classical concerto form: a sonata-allegro
first movement, a slow second movement and a theme and variations finale.
Philosophically, this piece explores the traditional nature of a concerto from several
different angles. The first movement explores the cooperative side of a concerto. One
Latin root of the word concerto is conserere, which means to join. The soloist and wind
ensemble cooperate to produce many layers of polymeter in Swing Low. The Latin root
certamen, on the other hand, means to fight. So while the first movement is a
cooperative effort, the third movement, Cutting Contest, explores the idea of a musical
battle between the solo tuba and the wind ensemble on a familiar tune.
On March 6th, 2012, the Concerto was premiered in Seattle. Erin Bodnar led the
University of Washington Wind Ensemble with myself soloing. The Central Washington
University Wind Ensemble then recorded it with Dean Snavely conducting.
This reduction of Concerto features two different versions of the third movement
to allow for players to navigate the virtuosic fingering acrobatics on an E-Flat or F tuba.
The solo lines at letter E were inspired by Arban’s Carnival of Venice.
Curtis PeacockLearn More
January 26, 2014