Orchestra
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A Walk in the Woods
Composer: Panza, Michael
Instrumentation: Duet Instruments: Flute, Tuba
Genre: ContemporaryA Walk in the Woods for Flute and Tuba is a Suite in three movements.The first movement, ‘Start of the Journey’, is light and filled with excitement and anticipation of the ‘journey’ ahead. The middle of the movement utilizes a familiar theme in celebration of joy for the impending trip.
The second movement, ‘Exploration in the Phrygian Woods’, uses the Phrygian mode to give the feeling of wonder and suspense of what our two musicians may find. The flute starts with the lead, but the tuba, not to be outdone, quickly takes the melody to have his turn to ‘explore’ the movement. The two join forces to end this movement.
The final movement, ‘Lost and Found’ begins very dark and slow giving the audience the sense of helplessness. But, the sun shines through and our two musicians find their way out of the woods with a light and playful melody. The movement comes to an end as all are well and at peace once more.
Please enjoy, ‘A Walk in the Woods’ for Flute and Tuba. Learn More
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Azure Dawn
Composer: Gulino, Frank
Instrumentation: Mixed Ensemble Instruments: Piano, Trombone, Violin
Genre: ContemporaryViolin, Trombone and Piano Learn MoreFrom $17.00
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Blanchard Caverns Fantasy
Composer: Sterrett, T.O.
Instrumentation: Mixed Ensemble Instruments: Euphonium, Piano, Tuba
Genre: Contemporarywith Piano
Written for Gail Robertson and Stacy Baker (SymbiosisDuo) Premiered May 24, 2019 - International Women's Brass Conference
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Concerto No. 1
Composer: Lester, Ian
Instrumentation: Solo and Piano Instruments: Drum Set, Piano, Tuba
Genre: CeremonialConcerto for Tuba No. 1 for Tuba, Drum Set, and Piano was written for Thomas Stein, professor of tuba and euphonium at the University of Missouri-Kansas City. Each of the four movements is given a one-word title which sets the tone for the corresponding movement: Flowing, Dance, Smoke, and Festivities. The first movement sways between several themes including the main “flowing” material and a heavier, eighth note motive that morphs into a buoyant, jazzy groove. The second movement conveys a light-hearted dance, yet there is a stern, ominous undertone always lurking in the shadows. The third movement brings the listener to the 1920s with the performers creating a smooth atmosphere in an era full of intrigue and mystery. The final movement is a non-stop, chaotic ride that gains momentum through groovy syncopations and off-kilter beats. The tubist brings the piece to a rapid-fire close with a head-banging cadenza and the return of the original thematic material. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $28.00
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Drift
Composer: Friedland, Zach
Instrumentation: Quintet Instruments: Alto Sax, Bass Clarinet, Bassoon, Clarinet, Oboe
Genre: ContemporaryOboe, Clarinet, Alto Saxophone, Bass Clarinet and Bassoon
Drift was written for the TIMBER Reed Quintet at the Ohio State University. Upon attending rehearsals and listening to the dynamic of the group, I was fascinated with the way the five instruments blended their sound together and the vast array of timbres that could emerge from the various combinations. This sparked my vision to create a piece that would highlight these abilities. Drift makes use of rhythmic ambiguity and uses a Jazz influence to create a musical idea of drifting along.
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Far Across Lake Merritt
Composer: Denham, Robert
Instrumentation: Duet and Piano Instruments: French Horn, Piano, Trumpet
Genre: Contemporarywith Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Flights of Fancy
Composer: Raum, Elizabeth
Instrumentation: Trio Instruments: Clarinet, Piano, Tuba
Genre: ContemporaryClarinet, Tuba and Piano Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $25.00
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Going Home
Composer: Zugger, Thomas
Instrumentation: Mixed Ensemble Instruments: Clarinet, Piano, Trombone
Genre: Contemporarywith Piano; for Larry Dubill and the Hamburg High School Bands Learn MoreFrom $18.00
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Moonscapes
Composer: Lester, Ian
Instrumentation: Duet and Piano Instruments: Euphonium, Piano, Tuba
Genre: Contemporarywith Piano
for the Conviviality Trio...
Theme and Variations on a Childhood Dream
Moonscapes was written in 2019 for the Conviviality Trio based out of Ann Arbor, Michigan. The work is programmatic theme and variations, following the fictional story of a boy who dreams of flying to space with his best friend to defeat an alien determined to destroy humanity. After the theme is introduced at the beginning, there are four variations, each portraying a different scene from the dream: “Weightless” depicts the feeling of floating in space. “Nightmare Fuel” represents a battle between the boy and the other-worldly foe. “Necessary Sacrifice” describes the death of the best friend, who sacrifices himself in order to help defeat the alien. Finally, “Victory!” depicts the boy returning to earth as the planet-saving hero even though he still feels the pain of losing his comrade.
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Moral Dilemmas
Composer: York, Barbara
Instrumentation: Mixed Ensemble Instruments: Percussion, Tuba
Genre: ContemporaryTuba and Percussion
"This piece is written in such a way that any or all of the movements could be juxtaposed beside or between each other, before or after. Hence the movement titles ' ....vs'
In this respect, I am suggesting that moral dilemmas come in many forms and to many different people. Enjoy and experiment." Barbara York
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Nashville Nightlife
Composer: Osterfield, Paul
Instrumentation: Mixed Ensemble Instruments: Percussion, Piano, Tuba
Genre: Contemporarywith Piano and Percussion
Written for Chris Combest and recorded on his solo album "Under Tennessee Skies" Creation of this work was supported by an MTSU Faculty Creative Activities Grant
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Night Duets
Composer: Ingram, Charles
Instrumentation: Duet Instruments: French Horn, Trombone
Genre: ContemporaryThis a great set of duets for the concert stage:
1. Invocation to the Moon
2. Hobgoblins
3. Nocturne
4. Critters
5. Dirge at Dusk
6. Wood Sprites
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Prospect Haitian, A
Composer: Robertson, Gail
Instrumentation: Trio Instruments: Cajon, Euphonium, Tuba
Genre: ContemporaryFor H(AR)K for HAITI Learn MoreFrom $17.00
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Quartet in D
Composer: Kassler, David
Instrumentation: Mixed Ensemble Instruments: Clarinet, Euphonium, Piano, Viola
Genre: ContemporaryClarinet, Viola, Euphonium and Piano3 movements Learn More
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Reflections on the Bottom of the Sun
Composer: Zegiel, Evan
Instrumentation: Mixed Ensemble Instruments: French Horn, Piano, Trombone
Genre: ContemporaryHorn, Trombone and Piano; for Caroline and Mike Steiger Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $20.00
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Taps
Arranger: Zegiel, Evan
Instrumentation: Quintet Instruments: Trombone, Tuba
Genre: Contemporary4 Trombones and Tubas; For the Brevard Music Center Trombone Choir Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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The Engulfed Cathedral (La cathedrale engloutie)
Composer: Debussy, Claude Arranger: Zegiel, Evan
Instrumentation: Mixed Ensemble Instruments: Marimba, Tuba, Vibraphone
Genre: ContemporaryOriginally for piano this prelude comes to life in this version for Tuba, Vibraphone and Marimba. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $18.00
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Three Sketches
Composer: Lester, Ian
Instrumentation: Trio Instruments: Euphonium, Piano, Tuba
Genre: Contemporarywith Piano Three Sketches for Euphonium, Tuba, and Piano was written for the Conviviality Trio based out of Ann Arbor, MI. Non-programmatic and serious in nature, the work is divided into three distinct movements that feature all instruments prominently. The first movement begins mysteriously, struggling to find balance between joy and sorrow. The tension builds harmonically and dynamically into a brief yet powerful fast section. After a reprise of the original material, the piano rips into rapid octave jumps which begins the "Aggressively" section, which puts the technical abilities of all three performers on full display. The movement ends with the original material making one last return. The second movement begins with a slow, jazzy noir-like atmosphere set by the pianist before the tuba and euphonium enter, echoing each other throughout. A solo section follows, emphasizing the low register and the lyrical capabilities of the euphonium. The movement ends with a hypnotic back-and-forth progression between the three performers that diminishes to nothingness. The last movement again puts the technical capabilities of the performers on display. Beginning with several mixed-meter runs, the movement evolves into a tour de force finale that includes long, rapid runs in the piano and tuba and euphonium melodies in fourths. Learn MoreUpdate Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.From $22.00
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Where Leaves and Birds a Music Spin
Composer: McMillan, Benjamin
Instrumentation: Duet and Piano Instruments: Flute, Piano, Tuba
Genre: ContemporaryFor Flute/Piccolo, Tuba and Piano
From the composer:
“Where Leaves And Birds A Music Spin” consists of six short movements, each loosely depicting a scene in nature.
- Borne On a Great Wind
- And the River Flows Ever Onwards
- Emerson’s Acorn
- Through Dawn Mist, A Doe
- Dauwtrappen
- Lithic Engines
The first scene is a fantasy of being carried on the wind, rushing over the landscape below. The second follows the journey of a river, through winding meandering paths to rapids. The third movement is based on a quote from Ralph Waldo Emerson’s essay on History that reads, “The creation of a thousand forests is in one acorn.” In the fourth, a scene unfolds of a foggy morning and the appearance of a doe. The word Dauwtrappen comes from Dutch and describes the concept of walking barefoot in the morning grass when the grass is still covered in dew. The final movement imagines the inner workings of the planet, with lithic, or rock and magma, engines driving continents, creating new lands, mountain ranges, as well as the slow destruction and recycling of the old.
Although I have suggested scenes with each title, I don’t intend these to be concrete depictions, and the listener should let their minds wander freely and create their own scenes as the piece progresses.
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